Beethoven, the rock star of his generation, is the most celebrated musical genius of his time. But his sexual obsession for his sister-in-law, Johanna von Beethoven (the real Immortal Beloved), drags his family into terrible tragedy even while he creates his greatest music.
Living the carefree, exotic life of a superstar, Beethoven is unexpectedly forced into the demands of ordinary family life. His brother dies, and he's expected to take care of his little nephew, Karl, and sister-in-law, Johanna.
His brother's will stipulates that Beethoven shall have authority over all decisions affecting Karl. When Beethoven decides his nephew should leave home and go to a boarding school, Johanna, feeling betrayed and abandoned, takes Beethoven to court to contest the will. A custody battle ensues: the famous Beethoven vs. the mother of the child. The court battles eventually lead all the way to Emperor Franz the First of Austria.
Beethoven's behavior throughout becomes more and more irrational and possessive: He's unable to reconcile his feelings of responsibility to his brother's last wishes, his love of Karl, his unresolved sexual feelings for Johanna, and the demands of his musical genius. Eventually, he drags them all into a series of terrible tragedies.
But out of those tragedies, and the struggles leading up to them, he creates his greatest music. And maybe the truth is, he never would have created the works he's famous for if he hadn't been forced to come face-to-face with the very human failings that haunt all of us.
The play premiered in Los Angeles in 1992 and ran for 6 weeks.