Opus 33
1800/1802
20'06" |
7
Bagatelles for Piano |
Sequenced by
Bunji Hisamori |
Kessler 28
---
Sketch
0'54" |
Kessler 28: Sketch for the bagatelle Opus 33 number 6
|
Sequenced by
Fiorella e Armando Orlandi |
Kessler 28
---
Completed
1'21" |
Kessler 28: Completed work of the bagatelle Opus 33 number 6
|
Sequenced by
Fiorella e Armando Orlandi |
Opus 39
1789
10'18" |
Two
Preludes for Piano or Organ |
Sequenced by
Bunji Hisamori |
Opus 45
1802/1803
10'24" |
1st,
2nd, 3rd Marches for Piano 4 hands |
Sequenced by
Bunji Hisamori |
Opus 51
1797 et 1800
17'44" |
1st
and 2nd Rondos for Piano |
Sequenced by
Bunji Hisamori |
Opus 77
1809
8'25" |
Fantasy
for Piano |
Sequenced by
Bunji Hisamori |
Opus 89
1814
5'31" |
Polonaise
for Piano |
Sequenced by
Eric Halstead |
Copper 235
Opus 111
0'57" |
Sketch for the arietta Opus 111, published for the fist time by Martin Cooper,
"Beethoven, the last dacade", 1817 - 1827 Oxford University Press, 1970, page 235.
|
Sequenced by
Fiorella e Armando Orlandi |
Opus 119
1820/1822
13'52" |
12
Bagatelles for Piano |
Sequenced by
Bunji Hisamori |
Opus 126
1823/1824
15'09" |
Six
Bagatelles for piano |
Sequenced by
Bunji Hisamori |
Opus 129
1795
6'35" |
Rondo A Capriccio for Piano in G major: "Die
Wut über den verloren Groschen" (Rage over
a Lost Penny)
Completed by an unknown editor
(probably Diabelli). |
Sequenced
by Fiorella e Armando Orlandi |
Opus 129
1795
6'27" |
Rondo
for Piano |
Sequenced by
Bunji Hisamori |
Opus 134
1826
15'51" |
Grande
Fugue for Piano 4 hands
(transcription of opus 133) |
Sequenced by
Manfred Schwenkglenks |
WoO 16
1807
7'07" |
12 Ecossaises for Piano |
Sequenced by
Pierre-Jean Chenevez |
WoO 47 |
3 sonatas for piano " Kurfursten
": |
|
WoO 47-1
1783 ?
12'54" |
3 sonatas for piano " Kurfursten
": The
First Sonata
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 47-2
1783 ?
15'22 |
3 sonatas for piano " Kurfursten
": The
Second Sonata
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 47-3
17'16" |
3 sonatas for piano " Kurfursten ": The Third Sonata
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 48
1783
2'23" |
Rondo
in C major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 49
1783 ?
2'16" |
Rondo
in A major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 50
1788 -1790
2'17" |
2 movements of a sonatina, in F major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 51
1797-1798 ?
7'31" |
2
movements of an easy sonata, in C major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 52
1795 ?
5'54" |
Bagatelle
in C minor, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 53
1796-1797
3'46" |
Allegretto,
in C minor, for piano
(probably pintended
for the sonata, Op. 10/1)
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 54
1802 ?
1'08" |
2
movements for piano "Lustig-Traurig"
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 55
Before 1805
2'17"
---
2'36" |
Prelude,
in F minor, for piano
Prelude,
in F minor, for organ
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 55
Before 1805
4'08" |
Prelude,
in F minor, for piano |
Sequenced by
Bunji Hisamori |
WoO 56
1803
2'00" |
Bagatelle
in C major, pour piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 57
1803
8'27" |
Andante,
in F major, for piano "Favori" (originally
intended as the slow movement of the sonata, Op.
53) |
Sequenced by
Eric Halstead |
WoO 58
1809 ?
3'24" |
2
cadences for piano for the Concerto for piano,
in D minor, by Wolfgang Amadeus Mozart, K. 466
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 59
1810
2'25" |
Bagatelle,
in A minor, for piano "Für Elise" |
Sequenced by
Bunji Hisamori |
WoO 60
1818
0'56" |
Movement
in B flat major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 61
1821
1'47" |
Movement
in B minor, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 61a
1825
0'31" |
Movement
in G minor, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 81
1793
1'13" |
Allemande,
in A major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 82
avant 1805
4'14" |
Menuet
in E flat major, for
piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 83
1806
4'06" |
6
scottish dances in E flat major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 84
1824
2'05" |
Waltz
in E flat major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 85
1825
0'42" |
Waltz
in D major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO 86
1825
0'31" |
Scottish
dance in E flat major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 5-1
3'33" |
Sonatina,
in G major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 5-2
5'09" |
Sonatina,
in F major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 6
5'37" |
Rondo
for Piano in B Flat Major
Hess Anhang 20 - Kinsky Halm Anhang 6.
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 8-1
2'48" |
Gavotte,
in F major, for piano 4 hands
(Andantino) |
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 9
8'39" |
Nine German Dance for Piano Four Hands (doubtful)
World premiere in midi file.
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 11
0'58" |
Alexandermarsch in F major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 12
2'07" |
Pariser Einzugsmarsch
March for Piano in C Major: "Pariser Einzugsmarsch". |
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 13
4'21" |
Trauermarsch
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 14-1
1'39'' |
Sehnsuchtswalzer,
waltz in A flat major, for piano
|
Sequenced by
Paul Blondel |
WoO Anhang 14-2
2'08" |
Schmerzenswalzer,
waltz in F minor, for piano
|
Sequenced by
Paul Blondel |
WoO Anhang 14-3
2'21" |
Hoffnungswalzer,
in E flat major, for piano
|
Sequenced by
Paul Blondel |
WoO Anhang 14-4
1'44" |
Geisterwalzer,
in A major, for piano
|
Sequenced by
Paul Blondel |
WoO Anhang 14-5
1'03" |
Waltz,
in F major, for piano
|
Sequenced by
Paul Blondel |
WoO Anhang 14-6
1'22" |
Waltz,
in D flat major, for piano
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 15
2'13" |
Waltz,
in F major, for piano, "Glaube, Liebe
und Hoffnung" (Moderato con molto espressione)
|
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 16-1
4'30" |
Jubelwalzer for pianoforte
Waltz for Piano in C sharp major: "Jubelwalzer";
authorship: probably doubtful. |
Sequenced by
Fiorella e Armando Orlandi |
WoO Anhang 17
6'01" |
Waltz for Piano in F Major for piano
Waltz for Piano in F Major: Introduction and
Waltz (Klavierstück); authorship: probably
doubtful. |
Sequenced by
Fiorella e Armando Orlandi |
Hess 57
about 1824
0'46" |
Sketch
for Piano in C major; authorship: unfinished
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 58
1792-1793
0'44" |
Two Exercises
for Piano; authorship: unfinished
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 59
about 1800
0'32" |
Exercise
for Piano in C major
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 61
about 1800
0'43" |
Anglaise
for Piano in D major
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 63
0'28" |
Movement
for keyboard on "Kaplied" by
Christian Friedrich Daniel Schubart
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 64
1794
piano:
1'49"
organ:
2'21" |
3-part
Fugue for Piano in C major
3-part
Fugue for Organ in C major
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 68
1803
0'54" |
Little
Waltz (Allemande), in C minor, for piano
[unedited, 16 bars]
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 72
1803
2'55" |
Variations
for Piano in A major: theme with one variation
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 73
1800
0'27" |
Bagatelle
for Piano in C major
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 74
1800
0'42" |
Bagatelle
for Piano in E flat major
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 97
1816
13'53" |
Wellington's
Victory, or the Battle of Vittoria for Piano and
Two Cannons (from opus 91).
Wellington's Victory, or the Battle of Vittoria
op. 91, for Piano and Cannons, Hess 97 (1816).
This is certainly the strangest of Beethoven's
arrangements for piano, since it also calls for
two cannon to be fired throughout the first (Battle)
portion of the piece. In this midi, the English
forces are on the right channel; the French are
on the left. As the battle progresses, the English
march toward and take the center, forcing the
French further left and eventually completely
off the soundstage. The piece was wildly popular
in its time as anti-Napoleonic feeling increased
in Europe. This "symphony" (as Beethoven
referred to it in letters) is easily the most
clearly descriptive piece Beethoven ever wrote.
The transcription ends, as does the orchestral
version, with a fugato treatment of "God
Save the King." Published 1816 by Steiner
in Vienna. |
Text and midi file by
Mark S. Zimmer |
Hess 98
1794-1799
1'02" |
Scherzo for piano
Scherzo for Piano from the Piano Trio Opus 1 #2, for piano solo, unfinished.
|
Sequenced by
Fiorella e Armando Orlandi |
Hess 99
1809
1'28" |
March for Piano in F major: Military march "Yorck’cher Marsch" "für die böhmische landwehr".
|
Sequenced by
Fiorella e Armando Orlandi |
Hess Anhang 21
1'04" |
Bagatelle
(Op. 119/12)
[piano version of the song "An Laura"]
|
Sequenced by
Fiorella e Armando Orlandi |
Hess Anhang 22
1'20" |
Funeral
march , in C minor
[16 bars]
|
Sequenced by
Fiorella e Armando Orlandi |