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TitleBeethoven's music - The Biamonti catalogue

A presentation of Biamonti's catalogue and of its author is on the first page of this catalogue.

This picture Midi File indicates that you can listen to the midi file of the work. Just click on it...
Many thanks to the great Beethoven lovers Annie Moss Moore, Armando Orlandi and Cristina Barbieri
who prepared this catalogue and shared it with me...
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Biamonti Same As Midi Mp3 Name Composition Dates Notes
Bia. 400       Fugue Subject for Unknown: in a Kyrie; authorship: unfinished 1803
Bia. 401       Piece for Unknown 1803 the theme is similar to Haydn’s "The Seasons"
Bia. 402       Fragment for Unknown: beginning of an Agnus Dei; authorship: unfinished 1803
Bia. 403       Sketch in D minor: for a symphony; authorship: unfinished 1803
Bia. 404       Sketch for Unknown: for the melody for a Zapfenstreich; authorship: unfinished 1803
Bia. 405       Sketch for Piano: for the melody; authorship: unfinished 1803
Bia. 406 Op. 55, Grove 55 Midi File   Symphony No. 3 in E flat major: "Eroica" 1803 dedicated to Prince Ferdinand Lobkowitz; Napoleon Bonaparte was originally intended as dedicatee; finale uses theme from "Die Geschöpfe des Prometheus" Opus 43
Bia. 407       Sketch for Solo Voice(s) & Instrument(s): unused vocal & instrumental sketches from the Wittgenstein manuscript; authorship: unfinished 1804
Bia. 408 WoO 56 Midi File...   Bagatelle No. 5 for Piano in C major: Allegretto 1803 - 1822 numbered "5" by Beethoven for a projected collection of Bagatelles in 1822
Bia. 409 WoO 57, Grove 170     Andante for Piano in F major: "Andante favori" 1803 - 1804 originally intended as the slow movement for the "Waldstein" Piano Sonata Opus 53; Hess Anhang 10 is version for string quartet (Beethoven’s authorship uncertain)
Bia. 410 Op. 56, Grove 56     Concerto for Piano, Violin, Cello & Orchestra in C major: "Tripelkonzert" (Triple Concerto) 1804 - 1805 dedicated to Archduke Rudolph of Austria
Bia. 411 Op. 53, Grove 53 Midi File   Piano Sonata No. 21 in C major: "Waldstein-Sonate"; "Aurora" 1803 - 1804 dedicated to Count Ferdinand von Waldstein; the "Andante favori" WoO 57 was originally intended to be this work’s slow movement
Bia. 412 Op. 54, Grove 54 Midi File   Piano Sonata No. 22 in F major 1804
Bia. 413 Hess 111     Duet: "Nur hurtig fort, nur frisch gegraben" 1805 early version before 1805 version of "Leonore", Opus 72
Bia. 414 Hess 121     Aria in C major: Marcellina’s aria "O wär ich schon mit dir vereint" 1806 prepared for 1806 version of "Leonore" Opus 72
Bia. 415 Hess 122     Aria in C minor: Marcellina’s aria "O wär ich schon mit dir vereint" 1807 prepared for 1806 version of "Leonore", Opus 72
Bia. 416 WoO 130, Grove 256     Song in C minor: "Gedenke mein"; "Gedenke mein, ich denke dein" 1804 - 1820 written for Prince Nikolas Borissovich Galitzin; words: Anonymous
Bia. 417       2 Sketches for Piano in F minor; authorship: unfinished 1804 sketch for the "Appassionata" Sonata Opus 57
Bia. 418 WoO 74, Grove 160     6 Variations for Piano Four Hands in D major: on "Ich denke dein" 1799 - 1803 dedicated to Therese Brunsvik & Countess Josephine Deym (née Brunsvik); Beethoven wrote the theme to the opening stanza of Goethe’s poem; the song (Biamonti 177) and the variations (Biamonti 418) are all part of the same work, but usually performed & recorded separately
Bia. 419       Sketch for Unknown: for a march; authorship: unfinished 1804
Bia. 420 Op. 57, Grove 57 Midi File   Piano Sonata No. 23 in F minor: "Appassionata" 1804 - 1805 dedicated to Count Anatol Brunsvik
Bia. 421 Op. 32, Grove 32 Midi File   Song: "An die Hoffnung"; from Tiedge’s "Urania"; "Die du so gern in heilgen Nächten feierst" (1st setting) 1804 - 1805 dedicated to Countess Josephine Deym (née Brunsvik); words: Christoph August Tiedge; 2nd setiing is Opus 94
Bia. 422 Op. 138, Grove 138 Midi File   Overture in C major: "Leonore I" 1807
Bia. 423 Op. 72, Grove 72     Overture: "Leonore II" ; written for 1805 version of "Leonore"; Grove 72a 1804 - 1805
Bia. 423 Op. 72, Hess 109, Grove 72     Opera: "Leonore, oder Der Triumph der ehelichen Liebe" (Leonore, or The Triumph of Married Love); 1805 version of "Fidelio" with overture "Leonore II" 1804 - 1805 Libretto: Joseph Sonnleithner after Jean-Nicolas Bouilly; Hess originally had access to only the piano reduction; the complete score has since been found
Bia. 424 WoO 58 #1, Grove 175 Midi File...   Cadenza for Piano in D minor: for Mozart’s piano concerto in d minor K 466 1st mvmt 1809 written for Ferdinand Ries
Bia. 424 WoO 58 #2, Grove 175 Midi File...   Cadenza for Piano & Orchestra in D minor: for Mozart’s piano concerto in d minor K 466 3rd mvmt 1809 written for Ferdinand Ries
Bia. 425 Op. 36, Grove 36     Piano Trio in D major: after the Symphony No. 2 in D 1805 dedicated to Prince Karl Lichnowsky
Bia. 426       Fragment for Unknown: for a Quartet; authorship: unfinished 1805
Bia. 427 Op. 72, Hess 110, Grove 72     Opera: "Leonore, oder Der Triumph der ehelichen Liebe" (Leonore, or The Triumph of Married Love); 1806 version of "Fidelio" with overture "Leonore III" 1805 - 1806 Libretto: Joseph Sonnleithner, revised by Stephan von Breuning; Hess originally had access to only the piano reduction; the complete score has since been found
Bia. 427 Op. 72 #1, Grove 72     Overture: "Leonore III", Opus 72a; written for 1806 version of "Leonore"; Grove 72b 1805 - 1806
Bia. 428 WoO 132, Grove 238     Song in E flat major: "Als die Geliebte sich trennen wollte"; "Der Hoffnung letzter Schimmer sinkt dahin" 1806 also published with the title "Empfindungen bei Lydiens Untreue"; words: Stephan von Breuning, based on French text by Hoffmann
Bia. 429 Op. 60, Grove 60 Midi File   Symphony No. 4 in B flat major 1806 dedicated to Count Franz von Oppersdorff
Bia. 430 WoO 80, Grove 191 Midi File...   32 Variations for Piano in C minor: on an original theme 1806
Bia. 431 Op. 58, Grove 58     Concerto No. 4 for Piano & Orchestra in G major 1804 - 1807 dedicated to Archduke Rudolph of Austria; also arranged for piano & string quintet same Opus #
Bia. 431 Op. 58, Grove 58 Midi File   Concerto No. 4 for Piano & String Quintet in G major; authorship: reconstruction 1804 - 1807 dedicated to Archduke Rudolph of Austria; also arranged for piano & string quintet same Opus #; Biamonti 509 has the usually recorded cadenzas; other cadenzas are Hess 81 (1st movement) and Hess 82 - 83 (Rondo)
Bia. 432 Op. 61, Grove 61 Midi File   Concerto for Violin & Orchestra in D major 1806 dedicated to Stephan von Breuning; also arranged as a piano concerto (same Opus)
Bia. 433       Sketch for Unknown: sketches for Matthisson’s song, "Wunsch: noch einmal"; authorship: unfinished 1804 - 1806
Bia. 434       Sketch for Unknown: for a minuet; authorship: unfinished 1805 - 1806
Bia. 435       Sketch for String Quartet; authorship: unfinished 1805 - 1806 unused sketches for the first & third movements of Opus 59 #3, "Rasumowsky" #3
Bia. 436 Op. 59 #1, Grove 59 Midi File   String Quartet No. 7 in F major: "Rasumowsky-Quartett" (Razumovsky) #1 1806 dedicated to Count Andreas Kirillovich Razumovsky
Bia. 436 Op. 59 #2, Grove 59 Midi File   String Quartet No. 8 in E minor: "Rasumowsky-Quartett" (Razumovsky) #2 1806 dedicated to Count Andreas Kirillovich Razumovsky
Bia. 436 Op. 59 #3, Grove 59 Midi File   String Quartet No. 9 in C major: "Rasumowsky-Quartett" (Razumovsky) #3 1806 dedicated to Count Andreas Kirillovich Razumovsky
Bia. 437 WoO 83 Midi File...   6 Ecossaises for Piano in E flat major 1806
Bia. 438 Op. 62, Grove 62 Midi File   Overture: "Coriolan" 1807 dedicated to Heinrich Collin; words by H J Collin
Bia. 439 Op. 86, Grove 86     Mass in C major 1807 dedicated to Prince Ferdinand Kinsky; also published as 3 hymns with German text
Bia. 440 WoO 29     March for Clarinets, Horns & Bassoons in B flat major: "Grenadiermarsch" 1797 - 1798 Hess 87 is piano arrangement; also see Hess 107
Bia. 441 Op. 61, Grove 61     Concerto for Piano & Orchestra in D major 1807 dedicated to Julie von Breuning (née Vering); after the Violin Concerto (same Opus); four new "cadenzas" composed - the two of Biamonti 511 (given in Kinsky-Halm) & Biamonti 512 (Hess 84 & 85); all 4 can be, and usually are, played in one performance
Bia. 442 WoO 133, Grove 239 Midi File...   Song in A flat major: "In questa tomba oscura", Arietta (In this dark Tomb) 1806 - 1807 words: Giuseppe Carpani
Bia. 443 Op. 67, Grove 67 Midi File   Symphony No. 5 in C minor 1803 - 1808 dedicated to Prince Lobkowitz and Count Rasumovsky
Bia. 444 Op. 69, Grove 69     Sonata No. 3 for Piano & Cello in A major 1807 - 1808 dedicated to Baron Ignaz von Gleichenstein; "between tears & lamentation" - LvB
Bia. 445       Sketch for Unknown: sketches for an improvisation; authorship: unfinished 1807 - 1808
Bia. 446 WoO 134 #1, Grove 241 Midi File...   Song in G minor: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (1st setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 446 WoO 134 #2, Grove 241 Midi File...   Song in G minor: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (2nd setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 446 WoO 134 #3, Grove 241 Midi File...   Song in E flat major: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (3rd setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 446 WoO 134 #4, Grove 241 Midi File...   Song in G minor: "Sehnsucht"; "Nur wer die Sehnsucht kennt" (4th setting) 1807 - 1808 words: Goethe; "NB: I did not have enough time to produce a good one, so here are several attempts" - LvB
Bia. 447       Passage for Piano; authorship: unfinished 1808
Bia. 448       Sketch for Piano: probably for piano; authorship: unfinished 1808
Bia. 449       Sketch for Piano & Orchestra in F major; authorship: unfinished 1808 sketch for the "Choral Fantasy" Opus 80
Bia. 450       Fragment for Unknown: for piano? 1808
Bia. 451       Sketch for Unknown: for piano?; authorship: unfinished 1808
Bia. 452       Fragment for Unknown: for piano?; authorship: unfinished 1808
Bia. 453 Op. 68, Grove 68 Midi File   Symphony No. 6 in F major: "Pastorale" (Pastoral) 1807 - 1808 dedicated to Prince Lobkowitz and Count Rasumovsky
Bia. 454       Overture: to the planned opera "Macbeth"; authorship: unfinished 1810 based on Beethoven’s sketches
Bia. 455 Op. 70 #1, Grove 70     Piano Trio in D major: "Geister-Trio" (Ghost) 1808 dedicated to Countess Anna Marie Erdödy
Bia. 455 Op. 70 #2, Grove 70     Piano Trio in E flat major 1808 dedicated to Countess Anna Marie Erdödy
Bia. 456   Midi File   Sketch; authorship: unfinished 1808 4 sketches for an instrumental introduction for the "Choral Fantasy", Opus 80
Bia. 457   Midi File   Sketch; authorship: unfinished 1808 sketch for a March, perhaps for the "Choral Fantasy" Opus 80
Bia. 458   Midi File   Sketch for Unknown in B minor; authorship: unfinished 1808 for the "Choral Fantasy" Opus 80, marked "Erste Fantasie"
Bia. 459   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 460   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 461   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 462   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 463       Sketch for Piano; authorship: unfinished 1808
Bia. 464   Midi File   Sketch for Piano; authorship: unfinished 1808
Bia. 465   Midi File   Sketch for Piano: concluding formula; authorship: unfinished 1808
Bia. 466   Midi File   Fragment for Piano; authorship: unfinished 1808
Bia. 467       Fragment for Piano; authorship: unfinished 1808
Bia. 468       Sketch for Piano; authorship: unfinished 1808
Bia. 469       Fragment for Piano; authorship: unfinished 1808
Bia. 470       Sketch for Piano; authorship: unfinished 1808 pianistic figure
Bia. 471       Fragment for Piano; authorship: unfinished 1808
Bia. 472       Fragment for Piano in D minor; authorship: unfinished 1808
Bia. 473   Midi File   Sketch for Solo Voice(s) & Instrument(s); authorship: unfinished 1808
Bia. 474   Midi File   Sketch for Unknown; authorship: unfinished 1808 bass line
Bia. 475       Sketch for Unknown: "Lasst uns Frohich sein"; authorship: unfinished 1808 sketch for perhaps a Canon or a Song
Bia. 476       Sketch for Piano & Orchestra 1809 sketch for the last movement of Piano Concerto #5, Opus 73
Bia. 477       Sketch for Unknown: "Wehrmanns Lied" (song of the soldier) "Osterreich über alles"; authorship: unfinished 1809 words: Collin
Bia. 478       Sketch for Unknown: sketch for a Song "Jubelgesang auf die Schlacht"; authorship: unfinished 1809
Bia. 479       Sketch for Piano; authorship: unfinished 1809 perhaps for piano
Bia. 480   Midi File   2 Sketches for Piano; authorship: unfinished 1809 perhaps for piano
Bia. 481       Fragment for Unknown: "Dissonirende Vorhalte"; authorship: unfinished 1809
Bia. 482       Sketch for Unknown; authorship: unfinished 1809 unused sketches for Songs
Bia. 483       Sketch: sketch for an Overture "Die Änlichkeit"; authorship: unfinished 1809
Bia. 484       Sketch for String Quartet 1809 unused sketch for the Finale of String Quartet #10 Opus 74
Bia. 485 Op. 74, Grove 74 Midi File   String Quartet No. 10 in E flat major: "Harfenquartett" (Harp) 1809 dedicated to Prince Ferdinand Lobkowitz
Bia. 486 Op. 80, Grove 80     Fantasia for Piano, Chorus & Orchestra in C minor: "Chorfantasie" (Choral Fantasy) 1808 - 1809 dedicated to King Maximilian Joseph of Bavaria; words: Christoph Kuffner?
Bia. 487       Fragment for Piano & Orchestra; authorship: unfinished 1809 beginning of a Concerto, unused
Bia. 488   Midi File...   Fragment for Unknown: "Ausweichungsformel" (modulation formula) 1809
Bia. 489       Sketch for String Quintet: in homage to Bach; authorship: unfinished 1809
Bia. 490   Midi File   Sketch for Unknown: for a concert piece; authorship: unfinished 1809
Bia. 491   Midi File   Sketch for Solo Voice(s) & Instrument(s): unused sketch for "Freudvoll und Leidvoll" for 2 voices & piano; authorship: unfinished 1809 has no relation to "Egmont" Opus 84
Bia. 492 Op. 77, Grove 77 Midi File   Fantasia for Piano in G minor 1809 dedicated to Count Anatol Brunsvik
Bia. 493 Op. 78, Grove 78 Midi File   Piano Sonata No. 24 in F sharp major: "À Thérèse" 1809 dedicated to Therese Brunsvik
Bia. 494 Op. 76, Grove 76 Midi File   6 Variations for Piano in D major: on a original theme 1809 dedicated to Franz Oliva; used again for "The Ruins of Athens" Opus 113
Bia. 495 Op. 79, Grove 79 Midi File   Piano Sonata No. 25 in G major 1809
Bia. 496 WoO 136, Grove 240 Midi File...   Song in D major: "Andenken" (Memories); "Ich denke dein" 1808 words: Friedrich von Matthisson
Bia. 497 WoO 138, Grove 244     Song in B flat major: "Der Jüngling in der Fremde"; "Der Früling entblühet dem Schoß der Natur" 1809 words: Christian Ludwig Reissig; the music was originally written for the text of WoO 137
Bia. 498 WoO 137, Grove 242     Song in B flat major: "Gesang aus der Ferne" (Song from far away); "Als mir noch die Träne" (2nd setting) 1809 words: Christian Ludwig Reissig; other setting has no catalog #
Bia. 499 Op. 73, Grove 73 Midi File   Concerto No. 5 for Piano & Orchestra in E flat major: "Emperor" 1808 - 1809 dedicated to Archduke Rudolph of Austria
Bia. 500 WoO 139, Grove 243 Midi File...
   Song in D major: "Der Liebende"; "Welch ein wunderbares Leben" 1809 words: Christian Ludwig Reissig
Bia. 501 WoO 18, Hess 6, Grove 145     March for Wind Band in F major: "Marsch für die bohmische Landwehr" 1809 - 1810 dedicated to Archduke Anton; written for a ‘carrousel’; contains Turkish elements in the orchestration; version without Trio; WoO 18 also includes Hess 7 & 99, Hess Anhang 2, and Biamonti 519 #1
Bia. 502 Op. 75 #1, Grove 75     Song: "Mignon" "Kennst du das Land" 1809 dedicated to Princess Caroline Kinsky; words: Goethe
Bia. 502 Op. 75 #2, Grove 75     Song: "Neue Liebe, neues Leben" (New love, new life); "Herz, mein Herz, was soll das geben?" (2nd setting) 1809 dedicated to Princess Caroline Kinsky; words: Goethe; 1st setting is WoO 127
Bia. 502 Op. 75 #3, Grove 75     Song: "Aus Goethes Faust" (Mephisto’s Song of the Flea); "Es war einmal ein König" 1809 dedicated to Princess Caroline Kinsky; words: Goethe; originally drafted c. 1792-3
Bia. 502 Op. 75 #4, Grove 75     Song: "Gretels Warnung"; "Mit Liebesblick und Spiel" 1809 dedicated to Princess Caroline Kinsky; words: G A von Halem
Bia. 502 Op. 75 #5, Grove 75     Song: "An den fernen Geliebten"; "Einst wohnten süsse Ruh’" 1809 dedicated to Princess Caroline Kinsky; words: C L Reissig
Bia. 502 Op. 75 #6, Grove 75 Midi File   Song: "Der Zufriedene" (The Contented Man); "Zwar schuf das Glück hienieden" 1809 dedicated to Princess Caroline Kinsky; words: Christian Ludwig Reissig
Bia. 503 WoO 135, Grove 255     Song in C minor: "Die laute Klage"; "Turteltaube, du klagtest so laut" 1814 - 1815 words: Johann Gottfried Herder
Bia. 504 WoO 18, Hess 99, Grove 145     March for Piano in F major: "Marsch für die bohmische Landwehr" 1809 - 1810 version for piano; WoO 18 also includes Hess 6 & 7, Hess Anhang 2 and Biamonti 519 #1
Bia. 505       Sketch for Piano: unused; authorship: unfinished 1809
Bia. 506 Grove 175     3 Cadenzas for Piano 1809 for Piano Concerto #1 Opus 15; these are the usually recorded 1st movement cadenzas
Bia. 507 Grove 175     Cadenza for Piano 1809 for Piano Concerto #2 Opus 19; this is the usually recorded cadenza
Bia. 508 Grove 175     Cadenza for Piano 1809 for Piano Concerto #3 Opus 37; this is the usually recorded cadenza
Bia. 509 Grove 175     Cadenza for Piano 1809 for Piano Concerto #4 Opus 58; these are the usually recorded cadenzas - #1 and #2 are for the 1st movement, #3 for the 3rd
Bia. 510 Hess 81, Grove 175     Cadenza for Piano 1807 for Piano Concerto #4, Opus 58 (first movement )
Bia. 510 Hess 82, Grove 175     Cadenza for Piano 1807 cadenza "sensa misura" for the Rondo of Piano Concerto #4, Opus 58
Bia. 510 Hess 83, Grove 175     Cadenza for Piano 1807 very brief cadenza to the Rondo of Piano Concerto #4, Opus 58
Bia. 511 Grove 175     2 Cadenzas for Piano 1809 for Piano Concerto version of Violin Concerto Opus 61 (1st movement, and transition from 2nd to 3rd)
Bia. 512 Hess 84, Grove 175   Rondo for Piano   solo passage for the Rondo of the piano version of the Violin Concerto, Opus 61, begins at measure 92
Bia. 512 Hess 85, Grove 175   Cadenza for Piano   new cadenza for the Rondo of the piano version of the Violin Concerto, Opus 61, begins at measure 279
Bia. 513 Op. 82 #1, Grove 82     Arietta: "Hoffnung"; "Dimmi, ben mio, che m’ami" 1809 - 1810 words: Anonymous
Bia. 513 Op. 82 #2, Grove 82     Arietta: "Liebes-Klage"; "T’intendo, si, mio cor" 1809 - 1810 words: Pietro Metastasio
Bia. 513 Op. 82 #3, Grove 82     Arietta: "L’amante impatiente (Stille Frage)", Arietta buffa; "Che fa il mio bene?" 1809 - 1810 words: Pietro Metastasio
Bia. 513 Op. 82 #4, Grove 82     Arietta: "L’amante impatiente (Liebesungeduld)", Arietta assai seriosa; "Che fa il mio bene?" 1809 - 1810 words: Pietro Metastasio
Bia. 513 Op. 82 #5, Grove 82     Duet: "Lebensgenuß"; "Odi l’aura che dolce sospira" 1809 - 1810 words: Pietro Metastasio
Bia. 514 Op. 81 #1, Grove 81     Piano Sonata No. 26 in E flat major: "Les Adieux"; "Das Lebewohl, Abwesenheit und Wiedersehen", Opus 81a 1809 - 1810 dedicated to Archduke Rudolph of Austria
Bia. 515 WoO 59, Grove 173 Midi File...   Bagatelle for Piano in A minor: "Für Elise" 1808 - 1810 dedicated to Therese Malfatti; autograph missing, but "Elise" probably denotes Therese Malfatti
Bia. 516       Sketch for Solo Voice(s) & Instrument(s): for Schiller’s "Das Madchen aus dem Fremde" for voice, piano & clarinet; authorship: unfinished 1810
Bia. 517 WoO 19, Hess 8, Grove 145     March for Wind Band in F major: "Zapfenstreich No. 3" 1810 dedicated to Archduke Anton; written for a ‘carrousel’; contains Turkish elements in the orchestration; Hess 9 is version with Trio; Biamonti 519 #2 (the GA version) has no Trio, no Turkish elements; Beethoven added the trio in F minor c. 1822; WoO 19 includes both Hess 8 & 9 & Biamonti 519 #2
Bia. 518 Op. 84, Grove 84     Overture in F minor: "Egmont", Incidental Music to Goethe’s Tragedy 1809 - 1810
Bia. 518 Op. 84, Grove 84 Midi File   Incidental Music for Solo Voice(s) & Orchestra: "Egmont", Incidental Music to Goethe’s Tragedy 1809 - 1810
Bia. 519 WoO 18, Grove 145     March for Wind Band in F major: "Marsch für die bohmische Landwehr" 1809 - 1810 dedicated to Archduke Anton; (the GA version) is without the Trio or the Turkish orchestration elements; WoO 18 also includes Hess 6, 7 & 99, and Hess Anhang 2
Bia. 519 WoO 19, Grove 145     March for Wind Band in F major 1809 - 1810 dedicated to Archduke Anton; (the GA version) has no Trio, no Turkish elements, Hess 8 is version with Turkish elements; Hess 9 is version with Turkish elements and the Trio that Beethoven added c. 1822; WoO 19 includes both Hess 8 & 9 & Biamonti 519 #2
Bia. 520 WoO 21     Polonaise for Wind Band in D major 1810
Bia. 521 WoO 22     Ecossaise for Wind Band in D major 1809 - 1810
Bia. 522   Midi File...   Sketch for Unknown in C minor: for a fugue; authorship: unfinished 1810
Bia. 523       Sketch for Solo Voice(s): for the melody for Schiller’s "In einem Thal bei Armen Hirten"; authorship: unfinished 1810
Bia. 524 Op. 95, Grove 95 Midi File   String Quartet No. 11 in F minor: "Quartetto serioso" 1810 - 1811 dedicated to Nikolaus Zmeskall
Bia. 525 WoO 20 Midi File...   March & Trio for Wind Band in C major: "Zapfenstreich" (The Tattoo) 1809 - 1822 Beethoven added a trio in F major c. 1822
Bia. 526 WoO 131, Hess 148     Sketch for Solo Voice(s) & Instrument(s) in D minor: "Erlkönig" "Wer reitet so spat durch Nacht und Wind?"; authorship: unfinished 1794 - 1796 words: Goethe
Bia. 527 Hess 149     Sketch for Solo Voice(s) & Instrument(s): sketches for a Song "Rastlose Liebe"; authorship: unfinished 1796 - 1810 words: Goethe
Bia. 528 WoO 161, Grove 218     3-part Canon in C major: "Ewig dein!" (Forever thine!) 1811
Bia. 529 Hess 93 Midi   Song in A major: "Freudvoll und Leidvoll" 1810 simplified setting of song from "Egmont" Opus 84, for voice and piano, also see Hess 94 & Hess 95
Bia. 529 Hess 94     Song in G major: "Freudvoll und Leidvoll" 1810 song from "Egmont" Opus 84, for piano; also see Hess 93 & Hess 95
Bia. 529 Hess 95     Song in F major: "Freudvoll und Leidvoll" 1810 song from "Egmont" Opus 84, for piano; also see Hess 93 & Hess 94
Bia. 530 Hess 142     Song: "Wonne der Wehmut" 1810 earlier version of Opus 83 #1
Bia. 531 Op. 83 #1, Grove 83     Song: "Wonne der Wehmut" (The joy of melancholy); "Trocknet nicht, Tränen der ewigen Liebe!" 1810 dedicated to Princess Caroline Kinsky; words: Goethe
Bia. 531 Op. 83 #2, Grove 83     Song: "Sensucht" (Yearning); "Was zieht mir das Herz so?" 1810 dedicated to Princess Caroline Kinsky; words: Goethe
Bia. 531 Op. 83 #3, Grove 83     Song: "Mit einem gemalten Band" (With a painted ribbon); "Kleine Blumen, kleine Blätter streuen wir mit leichter Hand" 1810 dedicated to Princess Caroline Kinsky
Bia. 532 WoO 23, Hess 4     Ecossaise for Wind Band in G major; authorship: reconstruction 1810 lost; known only in Czerny’s piano arrangement
Bia. 533 WoO 155 #1, Grove 226     Folksong Setting: "Chase of the Wolf" or "Sion, the Son of Evan", "Hear the shouts of Evan’s son"; #1 of 26 Welsh songs 1810 words: Anne Grant
Bia. 533 WoO 155 #2, Grove 226     Folksong Setting: "The Monks of Bangor’s March", "When the heathen trumpet’s clang"; #2 of 26 Welsh songs 1810 words: Sir Walter Scott
Bia. 533 WoO 155 #3, Grove 226     Folksong Setting: "The Cottage Maid", "I envy not the splendour fine"; #3 of 26 Welsh songs 1810 words: William Smyth; variations on this air: Op 105 #1
Bia. 533 WoO 155 #4, Grove 226     Folksong Setting: "Love without Hope", "Her features speak the warmest heart"; #4 of 26 Welsh songs 1810 words: John Richardson
Bia. 533 WoO 155 #5, Grove 226     Folksong Setting: "The Golden Robe", "A golden robe my Love shall wear"; #5 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #6, Grove 226     Folksong Setting: "The Fair Maid of Mona", "How, my love, could hapless doubts o’ertake thee"; #6 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #7, Grove 226     Folksong Setting: "O let the night my blushes hide"; #7 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #8, Grove 226     Folksong Setting: "Farewell, thou noisy town"; #8 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #9, Grove 226     Folksong Setting: "To the Aeolian Harp", "Harp of the winds"; #9 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #10, Grove 226     Folksong Setting: "Ned Pugh’s Farewell", "To leave my dear girl, my country, and friends"; #10 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #11, Grove 226     Folksong Setting: "Merch Megan, or Peggy’s Daughter"1 "In the white cot where Peggy dwells"; #11 of 26 Welsh songs 1810 words: Anne Hunter; variations on this air: Op 107 #6
Bia. 533 WoO 155 #12, Grove 226     Folksong Setting: "Waken, lords and ladies gay"; #12 of 26 Welsh songs 1810 words: Sir Walter Scott
Bia. 533 WoO 155 #13, Grove 226     Folksong Setting: "Helpless Woman", "How cruel are the parents"; #13 of 26 Welsh songs 1810 words: Robert Burns
Bia. 533 WoO 155 #14, Grove 226     Folksong Setting: "The Dream", "Last night worn with anguish"; #14 of 26 Welsh songs 1810 words: David ap Gwillim
Bia. 533 WoO 155 #16, Grove 226     Folksong Setting: "The Damsels of Cardigan", "Fair Tivy"; #16 of 26 Welsh songs 1810 words: W Jones
Bia. 533 WoO 155 #17, Grove 226     Folksong Setting: "The Dairy House", "A spreading hawthorn shades the seat"; #17 of 26 Welsh songs 1810 words: Anne Hunter
Bia. 533 WoO 155 #18, Grove 226     Folksong Setting: "Sweet Richard", "Yes, thou art chang’d since first we met"; #18 of 26 Welsh songs 1810 words: Opie
Bia. 533 WoO 155 #19, Grove 226     Folksong Setting: "The Vale of Clwyd", "Think not I’ll leave"; #19 of 26 Welsh songs 1810 words: Opie
Bia. 533 WoO 155 #20, Grove 226     Folksong Setting: "To the Blackbird", "Sweet warbler of a strain divine"; #20 of 26 Welsh songs 1813 words: David ap Gwillim; replacement setting of Hess 206
Bia. 533 WoO 155 #21, Grove 226     Folksong Setting: "Cupid’s Kindness", "Dear brother"; #21 of 26 Welsh songs 1810 words: William Smyth; Hess 190 is completed draft of piano version
Bia. 533 WoO 155 #22, Grove 226     Folksong Setting: "Constancy", "Tho’ cruel fate should bid us part"; #22 of 26 Welsh songs 1810 words: Robert Burns
Bia. 533 WoO 155 #23, Grove 226     Folksong Setting: "The Old Strain", "My pleasant home beside the Dee!"; #23 of 26 Welsh songs 1810 words: William Smyth
Bia. 533 WoO 155 #24, Grove 226     Folksong Setting: "Three Hundred Pounds", "In yonder snug cottage"; #24 of 26 Welsh songs 1810 words: Richard Litwyd
Bia. 533 WoO 155 #26, Grove 226     Folksong Setting: "Good Night", "Ere yet we slumber seek"; #26 of 26 Welsh songs 1810 words: W R Spencer
Bia. 534 Hess 204     Folksong Setting: "O let the night my blushes hide" (Welsh) 1809 original version of WoO 155 #7
Bia. 534 Hess 205     Folksong Setting: "The Dream" (Welsh) 1810 another version of WoO 155 #14; Biamonti 286 is the coda, instrumental parts only
Bia. 534 Hess 206     Folksong Setting: "To the Blackbird" (Welsh) "Sweet warbler of a strain divine" 1810 words: David ap Gwillim; original setting of WoO 155 #20
Bia. 535       Sketch for Unknown; authorship: unfinished 1810 sketch for a Bagatelle
Bia. 536 Op. 97, Grove 97     Piano Trio in B flat major: "Erzherzogs-Trio" (Archduke) 1810 - 1815 dedicated to Archduke Rudolph of Austria
Bia. 537       Sketch; authorship: unfinished 1811
Bia. 538 Op. 117, Grove 117 Midi File   Overture in E flat major: "König Stephan" (King Stephen) 1811
Bia. 538 Op. 117, Grove 117     Music for a drama for Orchestra, Chorus & Solo Voice(s): music to Kotzebue’s festival play "König Stephan oder Ungarns erster Wohhtäter" (King Stephen or Hungary’s First Benefactor) 1811
Bia. 539 Op. 113, Hess 118, Grove 113     Overture: "Die Ruinen von Athen" (The Ruins of Athens) 1811 music to Kotzebue’s festival play; Hess 118 includes Opus 124, Opus 114, WoO 98, and parts of Opus 113
Bia. 539 Op. 113, Grove 113     Music for a drama for Orchestra, Chorus & Solo Voice(s): for Kotzebue’s "Die Ruinen von Athen" (The Ruins of Athens) 1811
Bia. 540 WoO 140 #1, Grove 247     Song: "An die Geliebte"; "O daß ich dir vom stillen Auge" (1st setting) 1811 words: Johann Ludwig Stoll
Bia. 540 WoO 140 #2, Grove 247     Song: "An die Geliebte"; "O daß ich dir vom stillen Auge" (2nd setting) 1814 words: Johann Ludwig Stoll
Bia. 541 WoO 155 #15, Grove 226     Folksong Setting: "When mortals all to rest retire" (English); #15 of 26 Welsh songs 1813 words: William Smyth
Bia. 542 WoO 39, Grove 154     Allegretto for Piano Trio in B flat major 1812 dedicated to Maximiliane Brentano; "for my little friend Maxe. Brentano to encourage her in piano playing" - LvB
Bia. 543       Sketch; authorship: unfinished 1811 - 1812 sketch for the finale of the Seventh Symphony Opus 92
Bia. 544 Op. 92, Grove 92 Midi File   Symphony No. 7 in A major 1811 - 1812 dedicated to Count Moritz von Fries; arrangements for piano (2 & 4 hands) and two pianos dedicated to Elisabeth Alexiewna, Empress of Russia
Bia. 545       Sketch for Piano & Orchestra in G major: for a Polonaise; authorship: unfinished 1812
Bia. 546       Sketch; authorship: unfinished 1812 sketch for an introduction to the Eighth Symphony Opus 93
Bia. 547       Symphony No. 8 in F major 1812 entire symphony with the original ending of Hess 1
Bia. 548 WoO 30 #1 Midi File...   Equali for Trombones in D minor 1812 written for Franz Xaver Glöggl; there is also a version for 4 men’s voices; these were played at Beethoven’s funeral
Bia. 548 WoO 30 #2 Midi File...   Equali for Trombones in D major 1812 written for Franz Xaver Glöggl; there is also a version for 4 men’s voices; these were played at Beethoven’s funeral
Bia. 548 WoO 30 #3 Midi File...   Equali for Trombones in B flat major 1812 written for Franz Xaver Glöggl; there is also a version for 4 men’s voices; these were played at Beethoven’s funeral
Bia. 549       Fragment for Piano & Violin; authorship: unfinished 1812 fragment of the finale to the Violin Sonata Opus 96
Bia. 550 Op. 96, Grove 96     Sonata No. 10 for Piano & Violin in G major 1812 dedicated to Archduke Rudolph of Austria
Bia. 551 Hess 67     2 German Dances for Piano: in F major and F minor 1811
Bia. 552       Sketch for Unknown: 2 unused sketches; authorship: unfinished 1813
Bia. 553 WoO 2 #1, Hess 117, Grove 143     Triumphal March for Orchestra in C major: "Tarpeja" 1813 Christoph Kuffner’s drama
Bia. 554 WoO 2 #2, Hess 117     Entr’acte in D major: "Tarpeja" 1813 now thought to be from the opening of Act II from "Leonore" 1805
Bia. 555 WoO 141     Song in C major: "Der Gesang der Nachtigall"; "Höre, die Nachtigall singt" 1813 words: Johann Gottfried Herder
Bia. 556 Hess 305     Sketch for Instrument(s) in D major: sketch for a Canon "Geschlagen ist der Feind" (the enemy has been beaten); authorship: unfinished 1813 found amidst the sketches for "Wellington’s Victory", opus 91
Bia. 557 Hess 108     Piece for Panharmonikon: "Wellingtons Sieg, oder die Schlacht bei Vittoria" (Wellington’s Victory, or the Battle of Vittoria) 1813 original version of Opus 91, second part ("Siegessymphonie")
Bia. 558 WoO 142, Grove 248 Midi File...   Song in E minor: "Der Bardengeist"; "Dort auf dem hohen Felsen sang" 1813 words: Franz Rudolph Hermann
Bia. 559 WoO 163, Grove 206     3-part Canon in F minor: "Kurz ist der Schmerz, und ewig ist die Freude" (Suffering is transitory, but joy is eternal) (1st setting) 1813 written for Johann Friedrich Naue; words: Friedrich von Schiller; other setting is WoO 166
Bia. 560 Op. 91, Grove 91     Battle Symphony: "Wellingtons Sieg, oder die Schlacht bei Vittoria" (Wellington’s Victory, or the Battle of Vittoria) 1813 dedicated to Prince Regent (later King) George IV of England; originally written for panharmonikon, Hess 108; Hess 97 is arrangement for piano & 2 cannons
Bia. 561 WoO 152 #1, Grove 223     Folksong Setting: "The Return to Ulster", "Once again, but how chang’d"; #1 of 25 Irish songs 1810 words: Sir Walter Scott
Bia. 561 WoO 152 #2, Grove 223     Folksong Setting: "Sweet Power of Song!"; #2 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #3, Grove 223     Folksong Setting: "Once more I hail thee"; #3 of 25 Irish songs 1810 words: Robert Burns
Bia. 561 WoO 152 #4, Grove 223     Folksong Setting: "The morning air plays on my face"; #4 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #5, Grove 223     Folksong Setting: "On the massacre of Glencoe", "O! tell me, harper"; #5 of 25 Irish songs 1810 words: Sir Walter Scott; original setting of Hess 192
Bia. 561 WoO 152 #6, Grove 223     Folksong Setting: "What shall I do to shew how much I love her?"; #6 of 25 Irish songs 1810 words: Anonymous
Bia. 561 WoO 152 #7, Grove 223     Folksong Setting: "His boat comes on the sunny tide"; #7 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #8, Grove 223     Folksong Setting: "Come draw we round a cheerful ring"; #8 of 25 Irish songs 1810 words: Joanna Baillie
Bia. 561 WoO 152 #9, Grove 223     Folksong Setting: "The Soldier’s Dream", "Our bugles sung truce"; #9 of 25 Irish songs 1810 words: Thomas Campbell
Bia. 561 WoO 152 #10, Grove 223     Folksong Setting: "The Deserter" (The evening previous to his execution), "If sadly thinking and spirits sinking"; #10 of 25 Irish songs 1812 words: J P Curran
Bia. 561 WoO 152 #11, Grove 223     Folksong Setting: "Thou emblem of faith" (Upon returning a ring); #11 of 25 Irish songs 1812 words: J P Curran
Bia. 561 WoO 152 #12, Grove 223     Folksong Setting: "English Bulls, or The Irishman in London", "Och! have you not heard, Pat"; #12 of 25 Irish songs 1810 words: Anonymous; variations on this air "Paddy Whack" Op 105 #6
Bia. 561 WoO 152 #13, Grove 223     Folksong Setting: "Musing on the roaring ocean"; #13 of 25 Irish songs 1812 words: Robert Burns
Bia. 561 WoO 152 #14, Grove 223     Folksong Setting: "Dermot and Shelah", "O who sits so sadly"; #14 of 25 Irish songs 1810 words: T Toms
Bia. 561 WoO 152 #15, Grove 223     Folksong Setting: "Let brainspinning swains"; #15 of 25 Irish songs 1810 words: Alexander Boswell
Bia. 561 WoO 152 #16, Grove 223     Folksong Setting: "Hide not thy anguish"; #16 of 25 Irish songs 1810 words: William Smyth
Bia. 561 WoO 152 #17, Grove 223     Folksong Setting: "In vain to this desert my fate I deplore"; #17 of 25 Irish songs 1810 words: Anne Grant & Robert Burns
Bia. 561 WoO 152 #18, Grove 223     Folksong Setting: "They bid me slight my Dermot dear"; #18 of 25 Irish songs 1810 words: William Smyth
Bia. 561 WoO 152 #19, Grove 223     Folksong Setting: "Wife, Children and Friends", "When the blackletter’d list to the gods"; #19 of 25 Irish songs 1812 words: W R Spencer
Bia. 561 WoO 152 #20, Grove 223     Folksong Setting: "Farewell bliss and farewell Nancy"; #20 of 25 Irish songs 1810 words: Anne Grant & Robert Burns
Bia. 561 WoO 152 #21, Grove 223     Folksong Setting: "Morning a cruel turmoiler is"; #21 of 25 Irish songs 1812 words: Alexander Boswell
Bia. 561 WoO 152 #22, Grove 223     Folksong Setting: "From Garyone, my happy home", air: "Garyone"; #22 of 25 Irish songs 1812 words: T Toms; original setting of WoO 154 #7
Bia. 561 WoO 152 #23, Grove 223     Folksong Setting: "A wand’ring gypsey, Sirs, am I"; #23 of 25 Irish songs 1810 words: Dr Wolcot
Bia. 561 WoO 152 #24, Grove 223     Folksong Setting: "The Traugh Welcome", "Shall a son of O’Donnell be cheerless and cold"; #24 of 25 Irish songs 1812 words: Anonymous
Bia. 561 WoO 152 #25, Grove 223     Folksong Setting: "O harp of Erin", "O harp of Erin thou art now laid low"; air: "I once had a true love"; #25 of 25 Irish songs 1812 words: David Thomson; original setting for WoO 154 #2
Bia. 562 Hess 192     Folksong Setting: "On the massacre of Glencoe" (Irish) "O! tell me, harper" 1813 words: Sir Walter Scott; replacement setting for WoO 152 #5
Bia. 562 Hess 193     Folksong Setting: "Farewell bliss and farewell Nancy" (Irish) 1810 early version of codas to WoO 152 #20
Bia. 563 WoO 153 #1, Grove 224     Folksong Setting: "When eve’s last rays in twilight die"; #1 of 20 Irish songs 1810 words: David Thomson
Bia. 563 WoO 153 #2, Grove 224     Folksong Setting: "No riches from his scanty store"; #2 of 20 Irish songs 1810 words: Williams
Bia. 563 WoO 153 #3, Grove 224     Folksong Setting: "The British Light Dragoons, or The Plain of Badajos", "’Twas a Marechal of France"; #3 of 20 Irish songs 1810 words: Sir Walter Scott
Bia. 563 WoO 153 #4, Grove 224     Folksong Setting: "Since greybeards inform us that youth will decay"; #4 of 20 Irish songs 1810 words: T Toms
Bia. 563 WoO 153 #5, Grove 224     Folksong Setting: "I dream’d I lay where flow’rs were springing"; #5 of 20 Irish songs 1813 words: Robert Burns; replacement setting for Hess 194
Bia. 563 WoO 153 #7, Grove 224     Folksong Setting: "O soothe me, my lyre"; #7 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #8, Grove 224     Folksong Setting: "Norah of Balamagairy", "Farewell mirth and hilarity"; #8 of 20 Irish songs 1812 - 1813 words: Alexander Boswell
Bia. 563 WoO 153 #9, Grove 224     Folksong Setting: "The kiss, dear maid, thy lip has left"; #9 of 20 Irish songs 1813 words: Lord Byron
Bia. 563 WoO 153 #10, Grove 224     Folksong Setting: "Oh, thou hapless soldier"; #10 of 20 Irish songs 1810 words: William Smyth
Bia. 563 WoO 153 #11, Grove 224     Folksong Setting: "When far from the home"; #11 of 20 Irish songs 1813 words: David Thomson; Hess 195 is another setting
Bia. 563 WoO 153 #12, Grove 224     Folksong Setting: "I’ll praise the saints with early song"; #12 of 20 Irish songs 1813 words: William Smyth; replacement setting for Hess 196
Bia. 563 WoO 153 #14, Grove 224     Folksong Setting: "Paddy O’Rafferty"; #14 of 20 Irish songs 1810 words: Alexander Boswell
Bia. 563 WoO 153 #15, Grove 224     Folksong Setting: "‘Tis but in vain, for nothing thrives"; #15 of 20 Irish songs 1813 words: William Smyth; replacement setting for Hess 197
Bia. 563 WoO 153 #16, Grove 224     Folksong Setting: "O might I but my Patrick love!" (English); #16 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #17, Grove 224     Folksong Setting: "Come, Darby dear! easy, be easy"; #17 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #18, Grove 224     Folksong Setting: "No more, my Mary, I sigh for splendour"; #18 of 20 Irish songs 1813 words: William Smyth
Bia. 563 WoO 153 #19, Grove 224     Folksong Setting: "Judy, lovely, matchless creature"; #19 of 20 Irish songs 1813 words: Alexander Boswell
Bia. 563 WoO 153 #20, Grove 224     Folksong Setting: "Thy ship must sail, my Henry dear"; #20 of 20 Irish songs 1813 words: William Smyth
Bia. 564 Hess 194     Folksong Setting: "I dream’d I lay where flow’rs were springing" (Irish) 1810 words: Robert Burns; original setting of WoO 153 #5
Bia. 564 Hess 195     Folksong Setting: "When far from the home" (Irish) 1813 words: David Thomson; alternative setting for WoO 153 #11
Bia. 564 Hess 196     Folksong Setting: "I’ll praise the saints with early song" (Irish) 1810 words: William Smyth; original setting of WoO 153 #12
Bia. 564 Hess 197     Folksong Setting: "‘Tis but in vain, for nothing thrives" (Irish) 1810 words: William Smyth; original setting of WoO 153 #15
Bia. 565 WoO 154 #1, Grove 225     Folksong Setting: "The Elfin Fairies", "We fairy elves in secret dells", air: "Planxty Kelly"; #1 of 12 Irish songs 1813 words: David Thomson
Bia. 565 WoO 154 #2, Grove 225     Folksong Setting: "O harp of Erin", "O harp of Erin thou art now laid low", air: "I once had a true love"; #2 of 12 Irish songs 1813 words: David Thomson; replacement setting for WoO 152 #25
Bia. 565 WoO 154 #3, Grove 225     Folksong Setting: "The Farewell Song", "O Erin", air: "The old woman"; #3 of 12 Irish songs 1813 words: William Smyth
Bia. 565 WoO 154 #4, Grove 225     Folksong Setting: "The pulse of a Irishman", air: "St Patrick’s Day"; #4 of 12 Irish songs 1813 words: Alexander Boswell; {like Let Brainspinning Swains}
Bia. 565 WoO 154 #5, Grove 225     Folksong Setting: "O who, my dear Dermot", air: "Crooghan a Venee"; #5 of 12 Irish songs 1813 words: William Smyth
Bia. 565 WoO 154 #6, Grove 225     Folksong Setting: "Put round the bright wine", air: "Chiling O’Guiry"; #6 of 12 Irish songs 1813 words: William Smyth; variations on this air: Op 105 #5
Bia. 565 WoO 154 #7, Grove 225     Folksong Setting: "From Garyone, my happy home", air: "Garyone"; #7 of 12 Irish songs 1813 words: T Toms; replacement setting for WoO 152 #22
Bia. 565 WoO 154 #8, Grove 225     Folksong Setting: "Save me from the grave and wise", air: "Nora Creina"; #8 of 12 Irish songs 1813 words: William Symth
Bia. 565 WoO 154 #9, Grove 225     Folksong Setting: "O would I were but that sweet linnet!", air: "The pretty girl milking the cows"; #9 of 12 Irish songs 1813 words: William Smyth; replacement setting for Hess 198
Bia. 565 WoO 154 #10, Grove 225     Folksong Setting: "The hero may perish", air: "The fox’s sleep"; #10 of 12 Irish songs 1813 words: William Smyth; another setting - WoO 156 #8
Bia. 565 WoO 154 #11, Grove 225     Folksong Setting: "The Soldier in a Foreign Land", "The piper who sat on his low mossy seat", air: "The Brown Maid"; #11 of 12 Irish songs 1813 words: Joanna Baillie; another version is Hess 199
Bia. 565 WoO 154 #12, Grove 225     Folksong Setting: "He promis’d me at parting", air: "Killeavy"; #12 of 12 Irish songs 1813 words: William Smyth
Bia. 566 Hess 198     Folksong Setting: "O would I were but that sweet linnet!"; air: "The pretty girl milking the cows" (Irish) 1812 words: William Smyth; original setting of WoO 154 #9
Bia. 567 Op. 116, Grove 116     Trio for Solo Voice(s) & Orchestra: "Tremate, empi, tremate"; for soprano, tenor, & bass w/ orchestra 1802 - 1814 words: Bettoni? Giovanni de Gamerra?
Bia. 568 WoO 94, Grove 193     Music for a drama for Orchestra, Chorus & Solo Voice(s) in B flat major: "Germania", finale for Trietschke’s Singspiel "Die gute Nachricht" (The Good News) 1814
Bia. 569 Hess 113     Aria: Marcellina’s aria "O wär ich schon mit dir vereint" 1814 1814 version, with an abbreviated ending
Bia. 570 Op. 72, Grove 72 Midi File   Opera: "Fidelio", Opera in 2 Acts ,with overture "Fidelio" 1814 Libretto: Joseph Sonnleithner & Georg Friedrich Treitschke
Bia. 570 Op. 72 #2, Grove 72 Midi File   Overture: "Fidelio", Opus 72b, Grove 72c 1814
Bia. 571 Hess 123     Song 1813 - 1814 words: Zacharias Werner
Bia. 572 Hess 317     Cantata: "Europens Befreyungsstunde" 1814
Bia. 573 WoO 102     Song: "Abschiedsgesang" (Song of Farewell) for tenor & 2 basses "Die Stunde schlägt" 1814 written for Leopold Weiss; words: Joseph von Seyfried
Bia. 574 WoO 103, Hess 127 Midi File...   Cantata in B flat major: "Un lieto brindisi: Cantata campestre" for 4 voices & piano acc "Johannisfeier begehn wir heute" 1814 written for Giovanni Malfatti; words: Clementi Bondi
Bia. 575       Sketch: for a second movement for a symphony; authorship: unfinished 1814
Bia. 576 Op. 118, Grove 118     Choral Part-Song for Solo Voice(s) & Instrument(s): "Elegischer Gesang" (Elegiac Song); for 4 Voices w/ String Qrt or Piano 1814 dedicated to Baron Johann Baptist von Pasqualati; words: Ignaz Franz von Castelli?; written to commemorate the third anniversary of the death of Pasqualati’s wife
Bia. 577       Sketch for Piano; authorship: unfinished 1814 probably for the last movement of Piano Sonata #27 Opus 90
Bia. 578 Op. 90, Grove 90 Midi File   Piano Sonata No. 27 in E minor 1814 dedicated to Count Moritz Lichnowsky
Bia. 579 WoO 164     3-part Canon in C major: "Freundschaft ist die Quelle wahrer Glückseligkeit" (Friendship is the source of true bliss) 1814
Bia. 580 WoO 205 #2, Hess 287     Musical greetings for Solo Voice(s): "Allein, allein, allein, jedoch. Silentium!!" (WoO 205b), #2 of 10 musical greetings 1814 written for Count Moritz Lichnowsky; Letter 498
Bia. 581 Op. 136, Grove 136     Cantata: "Der glorreiche Augenblick" (The Glorious Moment) 1814 words: Aloys Weissenbach
Bia. 582       Sketch for String Quartet; authorship: unfinished 1814
Bia. 583 WoO 95     Chorus for Orchestra & Chorus in A major: "Chor auf die verbündeten Fürsten" (Chorus for the Allied Princes) "Ihr weisen Gründer" 1814 words: Carl Bernard
Bia. 584 Hess 97     Piece for Piano: "Wellingtons Sieg, oder die Schlacht bei Vittoria" (Wellington’s Victory, or the Battle of Vittoria) 1816 Opus 91 set for piano and two cannons
Bia. 585 WoO 199, Hess 281     Joke in D major: "Ich bin der Herr von zu" (I am the man for you) 1814 written for Archduke Rudolph of Austria; joke intended for the Archduke
Bia. 586       Sketch for Unknown: for a sonata; authorship: unfinished 1814
Bia. 587 WoO 144     Song in E flat major: "Merkenstein" (1st setting) 1814 words: J B Rupprecht; 2nd setting is Opus 100
Bia. 588 Op. 89, Grove 89 Midi File   Polonaise for Piano in C major 1814 dedicated to Empress Elisabeth Alexiewna of Russia
Bia. 589 WoO 143, Grove 245 Midi File...   Song in E flat major: "Des Kriegers Abschied"; "Ich zieh’ ins Feld von Lieb’entbrannt" 1814 words: Christian Ludwig Reissig
Bia. 590 WoO 155 #25, Grove 226     Folksong Setting: "The Parting Kiss", "Laura, thy sighs must now no more"; #25 of 26 Welsh songs 1815 words: William Smyth
Bia. 591 Hess 191     Folksong Setting in G minor: "The Vale of Clwyd" (Welsh) "Think not I’ll leave" 1810 early version of WoO 155 #19, for voice & piano
Bia. 592       Sketch for Unknown: fragments for a Lyric Opera; authorship: unfinished 1814
Bia. 593 WoO 165, Grove 220     4-part Canon: "Glück zum neuen Jahr!" (1st setting) 1815 written for Baron Johann Baptist von Pasqualati; other setting is WoO 176
Bia. 594 WoO 166     3-part Canon in F major: "Kurz ist der Schmerz, und ewig ist die Freude" (Suffering is transitory, but joy is eternal) (2nd setting) 1815 written for Louis Spohr; words: Friedrich von Schiller; other setting is WoO 163
Bia. 595 WoO 96, Grove 202     Music for a drama for Orchestra, Chorus & Solo Voice(s): "Leonore Prohaska" 1815 Funeral march is orchestration of Piano Sonata No. 12 Opus 26, made at author’s (Friedrich Duncker) express wish
Bia. 596 Op. 100, Grove 100 Midi File   Song: "Merkenstein"; duo (2nd setting) 1815 words: J B Rupprecht; 1st setting is WoO 144
Bia. 597 Op. 115, Grove 115     Overture in C major: "Zur Namensfeier" (Name-Day) 1814 - 1815 dedicated to Prince Anton Heinrich Radziwill
Bia. 598 WoO 97, Grove 194     Chorus for Orchestra, Chorus & Solo Voice(s) in D major: "Es ist vollbracht" (It is fulfilled), final chorus from Treitschke’s Singspiel "Die Ehrenpforten" (The Triumphal Arches) 1815
Bia. 599 Op. 102 #1, Grove 102     Sonata No. 4 for Piano & Cello in C major 1815 dedicated to Countess Anna Marie Erdödy
Bia. 599 Op. 102 #2, Grove 102     Sonata No. 5 for Piano & Cello in D major 1815 dedicated to Countess Anna Marie Erdödy
Bia. 600       Sketch for Solo Voice(s): Das Schweigen, "Lerne lerne Schweigen", sketches for the canon Biamonti 649; authorship: unfinished 1815
Bia. 601       Sketch: for a symphony in B minor; authorship: unfinished 1815
Bia. 602       Sketch for Piano & Cello: foa a Pastoral Sonata; authorship: unfinished 1815
Bia. 603       Sketch for Unknown: for a March with "horns in G"; authorship: unfinished 1815
Bia. 604       Exercise for Instrument(s): counterpoint exercises 1815
Bia. 605       Sketch for Unknown in C minor: for a Sonata; authorship: unfinished 1815
Bia. 606       Andante for Instrument(s) in B minor; authorship: unfinished 1815 Andante "for pizzicati basses" with a Trio in B major with "clarinets" perhaps for the Symphony Biamonti 601
Bia. 607       Sketch for Unknown in E flat major: for a Polonaise, perhaps for orchestra; authorship: unfinished 1815
Bia. 608       Sketch for Unknown: of a fugue subject; authorship: unfinished 1815
Bia. 609 Op. 112, Grove 112     Cantata: "Meeresstille & glückliche Fahrt" (Calm Sea & Prosperous Voyage) 1814 - 1815 dedicated to Johann Wolfgang von Goethe; words: Goethe; sent to Goethe in 1822
Bia. 610 WoO 167, Hess 249, Grove 207     3-part Canon in C major: "Brauchle, Linke" 1815
Bia. 611 Op. 94, Grove 94     Song: "An die Hoffnung" (To Hope); from Tiedge’s "Urania" "Ob ein Gott sei?/Die du so gern" (2nd setting) 1813 - 1815 words: Christoph August Tiedge; 1st setting is Opus 32
Bia. 612 WoO 157 #1, Grove 228     Folksong Setting: "God Save the King", "God save our Lord the King" (English); #1 of 12 assorted folk songs 1817 words: Henry Carey; variations on this air: WoO 78
Bia. 612 WoO 157 #2, Grove 228     Folksong Setting: "The Soldier", "Then, Soldier! come" (Irish); #2 of 12 assorted folk songs 1815 words: William Smyth
Bia. 612 WoO 157 #3, Grove 228     Folksong Setting: "Charlie is my darling" (Scottish); #3 of 12 assorted folk songs 1819
Bia. 612 WoO 157 #4, Grove 228     Folksong Setting: "O sanctissima" (Sicilian); #4 of 12 assorted folk songs 1817
Bia. 612 WoO 157 #5, Grove 228     Folksong Setting: "The Miller of Dee", "There was a jolly miller once" (English); #5 of 12 assorted folk songs 1819
Bia. 612 WoO 157 #6, Grove 228     Folksong Setting: "A health to the brave" (Irish); #6 of 12 assorted folk songs 1815 words: John Dovaston
Bia. 612 WoO 157 #7, Grove 228     Folksong Setting: "Robin Adair", "Since all thy vows, false maid" (Irish); #7 of 12 assorted folk songs 1815 words: Anonymous
Bia. 612 WoO 157 #8, Grove 228     Folksong Setting: "By the side of the Shannon" (Irish); #8 of 12 assorted folk songs 1815 words: William Smith
Bia. 612 WoO 157 #9, Grove 228     Folksong Setting: "Highlander’s Lament", "My Harry was a gallant gay" (Scottish); #9 of 12 assorted folk songs 1820 words: Robert Burns
Bia. 612 WoO 157 #10, Grove 228     Folksong Setting: "Sir Johnnie Cope" (Scottish); #10 of 12 assorted folk songs 1817 old Jacobite song
Bia. 612 WoO 157 #11, Grove 228     Folksong Setting: "The Wandering Minstrel", "I am bow’d down" (Irish); #11 of 12 assorted folk songs 1815 words: William Smyth
Bia. 612 WoO 157 #12, Grove 228     Folksong Setting: "La gondoletta", "La biondina in gondoletta" (Venetian); #12 of 12 assorted folk songs 1816
Bia. 613 WoO 153 #6, Grove 224     Folksong Setting: "Sad and luckless was the season"; #6 of 20 Irish songs 1815 words: William Smyth; variations on this air: WoO 153 #6
Bia. 614 WoO 153 #13, Grove 224     Folksong Setting: ‘"Tis sunshine at last"; #13 of 20 Irish songs 1815 words: William Smyth; Hess 178 is duet setting
Bia. 615 Hess 178     Folksong Setting: ‘"Tis sunshine at last" (Irish) 1815 duet setting of WoO 153 #13
Bia. 616       Sketch for Unknown in A minor: beginning of a double fugue; authorship: unfinished 1815
Bia. 617       Sketch in D major: for a symphony; authorship: unfinished 1815
Bia. 618       Fragment for Solo Voice(s): "Ehre sei dir"; authorship: unfinished 1815
Bia. 619       Passage for Unknown: 2 fugal passages; authorship: unfinished 1815
Bia. 620       Sketch for Unknown in D major: beginning of a double fugue; authorship: unfinished 1815
Bia. 621       Allemande for Piano: and "third piece" perhaps for piano; authorship: unfinished 1815
Bia. 622       Pastorella for Piano in C major 1815
Bia. 623     Sketch for Solo Voice(s) & Instrument(s); authorship: unfinished   sketch for an alternate version of the folk song arrangement "O, thou art the lad of my heart, Willy" Opus 108 #11
Bia. 624       Etude for Unknown: study of prosody on a text of Homer 1815
Bia. 625       Sketch for Solo Voice(s): for the melody for Goethe’s "Song from the Spirits above the Waters"; authorship: unfinished 1815 words: Goethe
Bia. 626       Sketch for Piano in D flat major: for a sonata; authorship: unfinished 1815
Bia. 627       3 Sketches for Unknown: two in B flat major, one in D major; authorship: unfinished 1815
Bia. 628       Sketch for Unknown: for the rhythm for a march; authorship: unfinished 1815
Bia. 629       Sketch; authorship: unfinished 1815 sketches for a Symphony, some reference the Ninth Symphony Opus 125
Bia. 630       Sketch for Solo Voice(s) & Orchestra: sketches for a Lyric Opera, perhaps for "Bacchus"; authorship: unfinished 1815
Bia. 631       Sketch for Instrument(s): sketches & melodic drafts for instrumental compositions; authorship: unfinished 1815
Bia. 632       Song: "Die Zufrieddenheit" ; authorship: unfinished 1815
Bia. 633       Sketch for Solo Voice(s) & Instrument(s): sketches for Reissig’s "Sehnsucht"; authorship: unfinished 1815
Bia. 634       German Dance for Piano Trio in F minor: "for the last movement"; authorship: unfinished 1815
Bia. 635       Sketch for Piano in A major; authorship: unfinished 1815 original sketch for Piano Sonata #28 Opus 101 third movement
Bia. 636       Sketch for Piano in A major; authorship: unfinished 1815 original sketch for Piano Sonata #28 Opus 101 fourth movement
Bia. 637       Sketch for Piano Trio in F minor: sketches for the first & last movements of a Trio; authorship: unfinished 1815
Bia. 638   Midi File...   Exercise for Piano: scale exercises 1815
Bia. 639       Sketch in E flat major: sketches for a symphony; authorship: unfinished 1815
Bia. 640       Sketch for Piano in E major: for a Sonata; authorship: unfinished 1815
Bia. 641 Hess 15     Fragment for Piano & Orchestra in D major; authorship: unfinished 1814 - 1815 fragment for a Piano Concerto #6
Bia. 642 WoO 145, Grove 250     Song in G major: "Das Geheimnis (Liebe and Wahrheit)"; "Wo blüht das Blümchen, das nie verblüht?" 1815 words: Ignaz HC von Wessenberg
Bia. 643 Hess 297 Midi file!   Adagio for Horns in F major 1815 occurs within a series of studies in instrumentation
Bia. 644       Sketch for Piano & Violin: sketches for a Sonata; authorship: unfinished 1815
Bia. 645       Sketch for Solo Voice(s) & Instrument(s): manuscript with various Scottish & Irish folk songs; authorship: unfinished 1815
Bia. 646 WoO 162, Grove 205     4-part Canon in B flat major: "Ta ta ta, lieber Mälzel"; authorship: spurious 1812 apparently written by Anton Schindler
Bia. 647 WoO 169, Hess 250     2-part Riddle Canon in C major: "Ich küße Sie, drücke Sie an mein Herz" 1816 written for Anna Milder-Hauptmann
Bia. 648 WoO 146, Grove 246     Song in E major: "Sehnsucht" (Longing); "Die stille Nacht umdunkelt" 1816 words: Christian Ludwig Reissig
Bia. 649 WoO 168 #1, Grove 208     3-part Riddle Canon in F major: "Das Schweigen", "Lerne Schweigen, o Freund" 1816 written for Charles Neate; words: Johann Gottfried Herder
Bia. 650 WoO 168 #2, Grove 209     3-part Canon in F major: "Das Reden", "Rede, wenn’s um einen Freund dir gilt" 1816 written for Charles Neate
Bia. 651 WoO 170, Hess 251     2-part Canon in C major: "Ars longa, vita brevis" (first version) 1816 written for Johann Nepomuk Hummel; words: Seneca; other versions are WoO 192 & WoO 193
Bia. 652 Op. 98 #1, Grove 98     Song Cycle: "An die ferne Geliebte" (To the Distant Beloved), #1 of 6: "Auf dem Hügel sitz’ ich, spähend" 1816 dedicated to Prince Ferdinand Lobkowitz; words: A. Jeitteles
Bia. 652 Op. 98 #2, Grove 98     Song Cycle: "An die ferne Geliebte" (To the Distant Beloved), #2 of 6: "Wo die Bergen so blau" 1816 dedicated to Prince Ferdinand Lobkowitz; words: A. Jeitteles
Bia. 652 Op. 98 #3, Grove 98     Song Cycle: "An die ferne Geliebte" (To the Distant Beloved), #3 of 6: "Leichte Segler in den Höhen" 1816 dedicated to Prince Ferdinand Lobkowitz; words: A. Jeitteles
Bia. 652 Op. 98 #4, Grove 98     Song Cycle: "An die ferne Geliebte" (To the Distant Beloved), #4 of 6: "Diese Wolken in den Höhen" 1816 dedicated to Prince Ferdinand Lobkowitz; words: A. Jeitteles
Bia. 652 Op. 98 #5, Grove 98     Song Cycle: "An die ferne Geliebte" (To the Distant Beloved), #5 of 6: "Es kehret der Maien, es blühet die Au" 1816 dedicated to Prince Ferdinand Lobkowitz; words: A. Jeitteles
Bia. 652 Op. 98 #6, Grove 98     Song Cycle: "An die ferne Geliebte" (To the Distant Beloved), #6 of 6: "Nimm sie hin denn, diese Lieder" 1816 dedicated to Prince Ferdinand Lobkowitz; words: A. Jeitteles
Bia. 653 WoO 24, Grove 144     March for Wind Band in D major 1816
Bia. 654 Op. 121 #1, Grove 121     10 Variations for Piano Trio in G major: on Wenzel Müller’s song "Ich bin der Schneider Kakadu" (I’m Cockatoo, the Tailor) from "Die Schwestern von Prag", Opus 121a 1803 - 1816
Bia. 655 Op. 99, Grove 99 Midi File   Song: "Der Mann von Wort" (The Man of his Word); "Du sagtest, Freund" 1816 words: F A Kleinschmid
Bia. 656 Op. 101, Grove 101 Midi File   Piano Sonata No. 28 in A major 1816 dedicated to Baroness Dorothea von Ertmann
Bia. 657       Sketch for Unknown: "Christ ist erstanden"; perhaps for an oratorio; authorship: unfinished 1815
Bia. 658 WoO 147, Grove 249     Song in A major: "Ruf vom Berge"; "Wenn ich ein Vöglein wär" 1816 words: Georg Friedrich Treitschke
Bia. 659 Op. 93, Grove 93 Midi File   Symphony No. 8 in F major 1812 dedicated to (none)
Bia. 660 Op. 108 #1, Grove 108     Folksong Setting: "Music, Love and Wine"; "O let me music hear, night and day!"; #1 of 25 Scottish songs 1817 words: William Smyth
Bia. 660 Op. 108 #2, Grove 108     Folksong Setting: "Sunset"; "The sun upon the Weirdlaw Hill"; #2 of 25 Scottish songs 1818 words: Sir Walter Scott
Bia. 660 Op. 108 #3, Grove 108     Folksong Setting: "O sweet were the hours"; #3 of 25 Scottish songs 1817 words: William Smyth
Bia. 660 Op. 108 #4, Grove 108     Folksong Setting: "The Maid of Isla"; "O maid of Isla from yon cliff" ; #4 of 25 Scottish songs 1817 words: Sir Walter Scott
Bia. 660 Op. 108 #5, Grove 108     Folksong Setting: "The sweetest lad was Jamie"; #5 of 25 Scottish songs 1815 words: William Smyth
Bia. 660 Op. 108 #6, Grove 108     Folksong Setting: "Dim, dim is my eye"; #6 of 25 Scottish songs 1815 words: William Brown
Bia. 660 Op. 108 #7, Grove 108     Folksong Setting: "Bonnie Laddie, Highland Laddie"; "Where got ye that siller moon"; #7 of 25 Scottish songs 1815 words: James Hogg
Bia. 660 Op. 108 #8, Grove 108     Folksong Setting: "The lovely lass of Inverness"; #8 of 25 Scottish songs 1816 words: Robert Burns
Bia. 660 Op. 108 #9, Grove 108     Folksong Setting: "Behold, my Love"; "Behold my Love how green the groves"; #9 of 25 Scottish songs 1817 words: Robert Burns
Bia. 660 Op. 108 #10, Grove 108     Folksong Setting: "Sympathy"; "Why, Julia, say, that pensive mien?"; #10 of 25 Scottish songs 1815 words: William Smyth
Bia. 660 Op. 108 #11, Grove 108     Folksong Setting: "O! thou art the lad of my heart, Willy"; #11 of 25 Scottish songs 1815 words: William Smyth; variations on this air: Op 107 #9
Bia. 660 Op. 108 #12, Grove 108     Folksong Setting: "O, had my fate been join’d with thine"; #12 of 25 Scottish songs 1816 words: Lord Byron
Bia. 660 Op. 108 #13, Grove 108     Folksong Setting: "Come fill, fill, my good fellow!"; #13 of 25 Scottish songs 1817 words: William Smyth
Bia. 660 Op. 108 #14, Grove 108     Folksong Setting: "O, how can I be blithe and glad"; #14 of 25 Scottish songs 1816 words: Robert Burns
Bia. 660 Op. 108 #15, Grove 108     Folksong Setting: "O cruel was my father"; #15 of 25 Scottish songs 1816 words: Alexander Ballantyne
Bia. 660 Op. 108 #16, Grove 108     Folksong Setting: "Could this ill world have been contriv’d"; #16 of 25 Scottish songs 1816 words: James Hogg
Bia. 660 Op. 108 #17, Grove 108     Folksong Setting: "O Mary, at thy window be"; #17 of 25 Scottish songs 1817 words: Robert Burns
Bia. 660 Op. 108 #18, Grove 108     Folksong Setting: "Enchantress, farewell"; #18 of 25 Scottish songs 1818 words: Sir Walter Scott
Bia. 660 Op. 108 #19, Grove 108     Folksong Setting: "O swiftly glides the bonny boat"; #19 of 25 Scottish songs 1815 words: Joanna Baillie
Bia. 660 Op. 108 #20, Grove 108     Folksong Setting: "Faithfu’ Johnie" "When will you come again"; #20 of 25 Scottish songs 1813 words: Anne Grant; replacement setting for Hess 203
Bia. 660 Op. 108 #21, Grove 108     Folksong Setting: "Jeanie’s Distress"; "By William late offended"; #21 of 25 Scottish songs 1817 words: William Smyth
Bia. 660 Op. 108 #22, Grove 108     Folksong Setting: "The Highland Watch"; "Old Scotia, wake thy mountain strain"; #22 of 25 Scottish songs 1817 words: James Hogg
Bia. 660 Op. 108 #23, Grove 108     Folksong Setting: "The Shepherd’s Song"; "The gowan glitters on the sward"; #23 of 25 Scottish songs 1818 words: Joanna Baillie
Bia. 660 Op. 108 #24, Grove 108     Folksong Setting: "Again, my Lyre, yet once again"; #24 of 25 Scottish songs 1815 words: William Smyth
Bia. 660 Op. 108 #25, Grove 108     Folksong Setting: "Sally in our Alley"; "Of all the girls that are so smart"; #25 of 25 Scottish songs 1817 words: Henry Carey
Bia. 661 Hess 200     Folksong Setting: "The Maid of Isla" (Scottish) 1816 earlier version of Opus 108 #4
Bia. 661 Hess 201     Folksong Setting: "Bonnie Laddie, Highland Laddie" (Scottish) 1816 - 1818 other version of violin part of Opus 108 #7
Bia. 661 Hess 202     Folksong Setting: "O! thou art the lad of my heart, Willy" (Scottish) 1815 first version of Opus 108 #11
Bia. 661 Hess 203     Folksong Setting: "Faithfu’ Johnie" (Scottish) "When will you come again" 1810 words: Anne Grant; original setting of Opus 108 #20
Bia. 662 Hess 96     Fragment for Piano; authorship: unfinished 1813 fragment of Symphony #7, Opus 92, for piano - first 46 measures of first movement
Bia. 663 WoO 158 #2, Hess 172     Folksong Setting: "Horch auf, mein Liebchen" (German) WoO 158a; #2 of 23 continental folk songs 1816
Bia. 663 WoO 158 #3, Hess 173     Folksong Setting: "Wegen meiner blieb d’Fräula" (German) WoO 158a; #3 of 23 continental folk songs 1816
Bia. 663 WoO 158 #4, Hess 174     Folksong Setting: "Wann i in der Früh aufsteh" (Tyrolean) WoO 158a; #4 of 23 continental folk songs 1816
Bia. 663 WoO 158 #5, Hess 182     Folksong Setting: "Teppichkrämer-Lied"; "I bin a Tyroler Bua" (Tyrolean) WoO 158a; #5 of 23 continental folk songs 1816 variations on this air: Op 107 #1
Bia. 663 WoO 158 #6, Hess 183     Folksong Setting: "A Madel, ja a Madel" (Tyrolean) WoO 158a; #6 of 23 continental folk songs 1816 variations on this air: Op 107 #5
Bia. 663 WoO 158 #9, Hess 184     Folksong Setting: "Oj, oj upilem sie w karczmie" (Polish) WoO 158a; #9 of 23 continental folk songs 1816
Bia. 663 WoO 158 #10, Hess 185     Folksong Setting: "Poszla baba po popiol" (Polish) WoO 158a; #10 of 23 continental folk songs 1816
Bia. 663 WoO 158 #11, Hess 158     Folksong Setting: "Yo no quiero embarcarme" (Iberian) WoO 158a; #11 of 23 continental folk songs 1816
Bia. 663 WoO 158 #12, Hess 159     Folksong Setting: "Seus lindos olhos" (Portuguese) WoO 158a; #12 of 23 continental folk songs 1816
Bia. 663 WoO 158 #13, Hess 160     Folksong Setting: "Vo lesocke komarockov mnogo urodilos" (Im Walde sind viele Mücklein geboren) (Russian) WoO 158a; #13 of 23 continental folk songs 1816
Bia. 663 WoO 158 #14, Hess 161     Folksong Setting: "Akh, recen’ki, recen’ki" (Ach Bächlein, Bächlein, kühle Wasser) (Russian) WoO 158a; #14 of 23 continental folk songs 1816
Bia. 663 WoO 158 #15, Hess 162     Folksong Setting: "Kak Posli nasi podruzki" (As They Went) (Unsere Mädchen gingen in den Wald) (Russian) WoO 158a; #15 of 23 continental folk songs 1816
Bia. 663 WoO 158 #18, Hess 171     Folksong Setting: "An ä Bergli bin i gesässe" (Swiss) WoO 158a; #18 of 23 continental folk songs 1816
Bia. 663 WoO 158 #19, Hess 163     Folksong Setting: "Una paloma blanca" (Spanish Bolero a Solo) WoO 158a; #19 of 23 continental folk songs 1816 original and different coda
Bia. 663 WoO 158 #20, Hess 164     Folksong Setting: "Como la mariposa soy" (Spanish Bolero a due) WoO 158a; #20 of 23 continental folk songs 1816 Hess 207 is the first version of the coda
Bia. 663 WoO 158 #21, Hess 165     Folksong Setting: "Tiranilla Española" (Spanish); "La tiranna se embarca" WoO 158a; #21 of 23 continental folk songs 1816
Bia. 663 WoO 158 #23, Hess 181     Folksong Setting: "Da brava, Catina" (Venetian) WoO 158a; #23 of 23 continental folk songs 1816
Bia. 664       Sketch for Unknown in E flat major: for a march; authorship: unfinished 1815
Bia. 665 Hess 11     Romance No. 3 for Violin & Orchestra 1816 lost
Bia. 666   Midi File...   Fragment for Unknown: in a letter to Steiner 1816
Bia. 667 WoO 158 #1, Hess 152     Folksong Setting in A major: "Adieu, my lov’d harp" (Irish) WoO 158b; #1 of 7 British folk songs 1813 words: Moore
Bia. 667 WoO 158 #2, Hess 153     Folksong Setting in E flat major: "Castle O’Neill" (Irish), without words, WoO 158b; #2 of 7 British folk songs 1813
Bia. 667 WoO 158 #3, Hess 154     Folksong Setting in F major: "Oh ono chri!" (Scottish) "O was not I a weary wight" WoO 158b; #3 of 7 British folk songs 1817
Bia. 667 WoO 158 #4, Hess 155     Folksong Setting: "Red gleams the sun on yon hill tap" (Scottish) WoO 158b; #4 of 7 British folk songs 1817
Bia. 667 WoO 158 #5, Hess 157     Folksong Setting in G major: "Erin! O Erin!" (Scottish-Irish) "Like the bride lamp that lay" WoO 158b; #5 of 7 British folk songs 1815
Bia. 667 WoO 158 #6, Hess 170     Folksong Setting in A minor: "O Mary ye’s be clad in silk" (Scottish) WoO 158b; #6 of 7 British folk songs 1815
Bia. 667 WoO 158 #7, Hess 180     Folksong Setting in G minor: "Lament for Owen Roe O’Neill" (Irish) without words, WoO 158b; #7 of 7 British folk songs 1810
Bia. 667 WoO 158 #1, Hess 166     Folksong Setting in E minor: "When my Hero in court appears" WoO 158c; #1 of 6 assorted folk songs 1817 words: John Gay
Bia. 667 WoO 158 #2, Hess 167     Folksong Setting in B flat major: "Air de Colin" from Rousseau’s "Le Devin du Village"; "Non, non, Colette n’est point trompeuse" WoO 158c; #2 of 6 assorted folk songs 1817 words: Rousseau
Bia. 667 WoO 158 #3, Hess 169     Folksong Setting in B major: "Mark yonder pomp of costly fashion" (Scottish) WoO 158c; #3 of 6 assorted folk songs 1820 words: Robert Burns
Bia. 667 WoO 158 #4, Hess 175     Folksong Setting in A major: "Bonnie wee thing" (Scottish) for 3 voices and piano WoO 158c; #4 of 6 assorted folk songs 1820 words: Robert Burns
Bia. 667 WoO 158 #5, Hess 176     Folksong Setting in B flat major: "From thee, Eliza, I must go" (Scottish) for 3 voices and piano trio WoO 158c; #5 of 6 assorted folk songs 1818 words: Robert Burns
Bia. 667 WoO 158 #6, Hess 179     Folksong Setting in E minor: Untitled (Scottish) without words, WoO 158c; #6 of 6 assorted folk songs 1810
Bia. 668 Hess 47   Piano Trio   arrangement of String Trio Opus 3 (1st movement and fragment of 2nd movement)
Bia. 669       Sketch for Solo Voice(s) & Instrument(s): for the song "Resignation" for 4 voices; authorship: unfinished 1817
Bia. 670 WoO 148, Grove 251 Midi File...   Song in F major: "So oder so"; "Nord oder Süd!" 1817 words: Carl Lappe
Bia. 671 WoO 205 #3, Hess 288     Musical greetings for Solo Voice(s): "O Adjutant" (WoO 205c), #3 of 10 musical greetings 1817 written for Tobias Haslinger; Letter 742
Bia. 672       Fragment for Unknown 1817 in a letter to Steiner
Bia. 673 WoO 104, Grove 197     Song: "Gesang der Mönche" (Song of the Monks) from Schiller’s "William Tell"; "Rasch tritt der Tod den Menchen an" 1817 words: Friedrich von Schiller
Bia. 674 WoO 205 #4, Hess 289     Musical greetings for Solo Voice(s) in C major: "Wo? Wo?" (WoO 205d), #4 of 10 musical greetings 1817 written for Nanette Streicher; Letter 789 or 792
Bia. 675 Op. 104, Grove 104     String Quintet in C minor; authorship: arranged by another 1817 after the Piano Trio Opus 1 #3; arranged by Kaufman; arrangement corrected by Beethoven
Bia. 676   Midi File   Fragment for Unknown 1817 in a letter to Nanette Streicher
Bia. 677       Sketch for Solo Voice(s) & Instrument(s): for Matthisson’s "Badlied"; authorship: unfinished 1817 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 678 Op. 137, Grove 137 Midi File   Fugue for String Quintet in D major 1817
Bia. 679 WoO 149, Grove 252     Song in D major: "Resignation"; "Lisch aus, mein Licht!" 1817 words: Paul von Haugwitz
Bia. 680 Hess 36     Fugue for String Quartet: from Handel’s "Solomon" overture, arranged for string quartet by Beethoven 1798
Bia. 681 Hess 138     Song: "Odorata - o Nice" 1815 - 1817
Bia. 682 Hess 137     Song: "Ich wiege dich in meinem Arm" 1795 lost; title incorrectly given by Hess as "Schwinge dich in meinen Dom"; author unknown
Bia. 683 WoO 171, Hess 252     4-part Canon in G major: "Glück fehl’ dir vor allem!"; authorship: spurious 1817 written for Anna Giannatasio del Rio; actually written by Michael Haydn
Bia. 684 Hess 40     String Quintet in D minor: movement; authorship: unfinished 1817 may have been the Prelude to a Fugue, since lost
Bia. 685 Hess 35     Fragment for String Quartet in B minor; authorship: reconstruction 1817 fragment of fugue #24 from Well-Tempered Clavier (Book One) by J S Bach, arranged for string quartet by Beethoven
Bia. 686   Midi File   Sketch 1817 - 1818 sketches for the Ninth Symphony Opus 125, second movement; also see Biamonti 746 & 779
Bia. 687       Sketch for Unknown: sketches found in the Conversation Book of Feb/ March 1818; authorship: unfinished 1818
Bia. 688 WoO 200, Hess 75, Grove 198 Midi File...   Piece for Piano in G major: "O Hoffnung, du stählst die Herzen, du milderst die Schmerzen" 1818 written for Archduke Rudolph of Austria; written as a theme for Archduke Rudolph, who composed forty variations on it; also see Hess 335
Bia. 689 WoO 201, Hess 282     Joke in C major: "Ich bin bereit! Amen" (I am ready), beginning of a double fugue 1818 written for Vincent Hauschka; Letter 903
Bia. 690 WoO 60, Grove 172 Midi File...   Bagatelle for Piano in B flat major: "Zeimlich lebhaft" (A little lively) 1818 dedicated to Marie Szymanowska
Bia. 691 WoO 156 #1, Grove 227     Folksong Setting: "The Banner of Buccleuch", "From the brown crest of Newark"; #1 of 12 Scottish songs 1819 words: Sir Walter Scott
Bia. 691 WoO 156 #2, Grove 227     Folksong Setting: "Duncan Gray", "Duncan Gray came here to woo"; #2 of 12 Scottish songs 1818 words: Robert Burns
Bia. 691 WoO 156 #3, Grove 227     Folksong Setting: "Up! quit thy bower"; #3 of 12 Scottish songs 1819 words: Joanna Baillie
Bia. 691 WoO 156 #4, Grove 227     Folksong Setting: "Ye shepherds of this pleasant vale"; #4 of 12 Scottish songs 1818 words: William Hamilton
Bia. 691 WoO 156 #5, Grove 227     Folksong Setting: "Cease your funning"; #5 of 12 Scottish songs 1817 Words: Gay; not Scottish, derived from "The Beggar’s Opera"
Bia. 691 WoO 156 #6, Grove 227     Folksong Setting: "Highland Harry", "My Harry was a gallant gay"; #6 of 12 Scottish songs 1815 words: Robert Burns
Bia. 691 WoO 156 #7, Grove 227     Folksong Setting: "Polly Stewart", "O lovely Polly Stewart"; #7 of 12 Scottish songs 1818 words: Robert Burns
Bia. 691 WoO 156 #8, Grove 227     Folksong Setting: "Womankind", "The hero may perish his country to save"; #8 of 12 Scottish songs 1818 another setting - WoO 154 #10
Bia. 691 WoO 156 #9, Grove 227     Folksong Setting: "Lochnagar", "Away ye gay landscapes"; #9 of 12 Scottish songs 1818 words: Lord Byron
Bia. 691 WoO 156 #10, Grove 227     Folksong Setting: "Glencoe", "O tell us, Harper"; #10 of 12 Scottish songs 1819 words: Sir Walter Scott
Bia. 691 WoO 156 #11, Grove 227     Folksong Setting: "Auld Lang Syne" "Should auld acquaintance be forgot"; #11 of 12 Scottish songs 1818 words: Robert Burns
Bia. 691 WoO 156 #12, Grove 227     Folksong Setting: "The Quaker’s Wife", "Dark was the morn and black the sea"; #12 of 12 Scottish songs 1818 words: Mr. Hunter
Bia. 692 WoO 158 #1, Hess 156     Folksong Setting: "Ridder Stigs Runer" (Danish) "Ridder nah’n dem Konigsschloss"WoO 158a; #1 of 23 continental folk songs 1817
Bia. 692 WoO 158 #7, Hess 187     Folksong Setting: "Wer solche Buema afipackt" (Tyrolean) WoO 158a; #7 of 23 continental folk songs 1817
Bia. 692 WoO 158 #8, Hess 189     Folksong Setting: "Ih mag di nit nehma, du töppeter Hecht" (Tyrolean) WoO 158a; #8 of 23 continental folk songs 1817
Bia. 692 WoO 158 #16, Hess 177     Folksong Setting: "Schöne Minka, ich muß scheiden" (Ukrainian-Cossack) WoO 158a; #16 of 23 continental folk songs 1816 variations on this air: Op 107 #7
Bia. 692 WoO 158 #17, Hess 186     Folksong Setting: "Lilla Carl", Vaggvisa (Swedish lullaby) WoO 158a; #17 of 23 continental folk songs 1817 words: C M Bellmann
Bia. 692 WoO 158 #22, Hess 188     Folksong Setting: "Édes kinos emlékezet", "Magyar Szüretötö Enek" (Hungarian grape harvest song) WoO 158a; #22 of 23 continental folk songs 1817
Bia. 693 Op. 105 #1, Grove 105     Variations for Piano & Flute or Violin in G major: on a Welsh air "The Cottage Maid"; #1 of 6 Themes & Variations 1818 folk song setting: WoO 155 #3
Bia. 693 Op. 105 #2, Grove 105     Variations for Piano & Flute or Violin in C minor: on a Scottish air "Von edlem Geschlecht war Shinken"; #2 of 6 Themes & Variations 1818
Bia. 693 Op. 105 #3, Grove 105     Variations for Piano & Flute or Violin in C major: on an Austrian air "A Schüssel und a reindel ist all mein Kuchelg’schirr"; #3 of 6 Themes & Variations 1819
Bia. 693 Op. 105 #4, Grove 105     Variations for Piano & Flute or Violin in E flat major: on an Irish air "The Last Rose of Summer"; #4 of 6 Themes & Variations 1818 folk song setting: "Sad & Luckless was the Season", WoO 153 #6
Bia. 693 Op. 105 #5, Grove 105     Variations for Piano & Flute or Violin in E flat major: on an Irish air "Chiling O’Guiry": #5 of 6 Themes & Variations 1818 folk song setting: WoO 154 #6
Bia. 693 Op. 105 #6, Grove 105     Variations for Piano & Flute or Violin in D major: on an Irish air "Paddy Whack"; #6 of 6 Themes & Variations 1818 folk song setting: "English Bulls; or, The Irishman in London", WoO 152 #12
Bia. 694 Op. 107 #1, Grove 107     Variations for Piano & Flute or Violin in E flat major: theme & 4 variations on a Tyrolian air "l bin a Tiroler Bua"; #1 of 10 Themes & Variations 1818 folk song setting: WoO 158a #5
Bia. 694 Op. 107 #2, Grove 107     Variations for Piano & Flute or Violin in F major: theme & 4 variations on a Scottish air "Bonnie Laddie, Highland Laddie"; #2 of 10 Themes & Variations 1818 folk song setting: Op 108 #7
Bia. 694 Op. 107 #3, Grove 107     Variations for Piano & Flute or Violin in G major: theme & 5 variations on a Russian air; #3 of 10 Themes & Variations 1819
Bia. 694 Op. 107 #4, Grove 107     Variations for Piano & Flute or Violin in F major: theme & 4 variations on an Irish air "St Patrick’s Day"; #4 of 10 Themes & Variations 1818 folk song setting: WoO 154 #4
Bia. 694 Op. 107 #5, Grove 107     Variations for Piano & Flute or Violin in F major: theme & 3 variations on a Tyrolian air "A Madel, ja a Madel": #5 of 10 Themes & Variations 1818 folk song setting: WoO 158a #6
Bia. 694 Op. 107 #6, Grove 107     Variations for Piano & Flute or Violin in E flat major: theme & 4 variations on a Welsh air "Merch Megan", "Peggy’s Daughter": #6 of 10 Themes & Variations 1819 folk song setting: WoO 155 #11
Bia. 694 Op. 107 #7, Grove 107     Variations for Piano & Flute or Violin in A minor: theme & 6 variations on a Russian air "Schöne Minka"; #7 of 10 Themes & Variations 1819 folk song setting: WoO 158a #16
Bia. 694 Op. 107 #8, Grove 107     Variations for Piano & Flute or Violin in D major: theme & 4 variations on a Scottish air "O, Mary at thy window be"; #8 of 10 Themes & Variations 1818 folk song setting: Op 108 #17
Bia. 694 Op. 107 #9, Grove 107     Variations for Piano & Flute or Violin in E flat major: theme & 5 variations on a Scottish air "Oh, Thou art the Lad of my Heart"; #9 of 10 Themes & Variations 1818 folk song setting: Op 108 #11
Bia. 694 Op. 107 #10, Grove 107     Variations for Piano & Flute or Violin in G minor: theme & 5 variations on a Scottish air "The Highland Watch"; #10 of 10 Themes & Variations 1818 folk song setting: Op 108 #22
Bia. 695 WoO 172, Grove 219     3-part Canon in E flat major: "Ich bitt’ dich, schreib’ mir die Es-Scala auf" 1818 written for Vincent Hauschka
Bia. 696 WoO 105, Hess 124     Song in A major: "Hochzeitslied" for bass, chorus & piano "Auf Freunde, singt dem Gott der Ehen!" 1819 written for Anna Giannatasio del Rio; words: Anton Joseph Stein; written for the marriage of Leopold Schmerling & Anna Giannatasio del Rio; unison version of Hess 125 (same WoO #)
Bia. 696 WoO 105, Hess 125     Song in C major: "Hochzeitslied" "Auf Freunde, singt dem Gott der Ehen!" 1819 written for Anna Giannatasio del Rio; words: Anton Joseph Stein; written for the marriage of Leopold Schmerling & Anna Giannatasio del Rio; unison version of Hess 124 (same WoO #)
Bia. 697   Midi File...   Sketch for Unknown in B flat minor: for a fugue; authorship: unfinished 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 698   Midi File...   Sketch for Unknown: sketch for a Cantata "Viva Rudolphus"; authorship: unfinished 1817 - 1819 in honor of the Archduke; lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 699   Midi File...   Minuet for Unknown 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 700   Midi File...   Fugue for Unknown in F sharp major 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 701   Midi File...   Sketch for Unknown: sketch for an Intermezzo; authorship: unfinished 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 702       Sketch for Unknown in B flat minor; authorship: unfinished 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 703       Presto for Unknown in B flat minor; authorship: unfinished 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 704       Fugue Subject for Unknown; authorship: unfinished 1817 - 1819 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 705 Hess 322     Melody for Solo Voice(s) in E flat major: "Gott allein ist unser Herr, er allein" 1818 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 706 Hess 323     Melody for Solo Voice(s) in C major: "Leb wohl, schöne Abendsonne" 1818 lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 707       Sketch for Solo Voice(s) & Instrument(s): sketch for a Song "Heidenroslein"; authorship: unfinished 1817 - 1819 words: Goethe; other sketches are Hess 150 and Biamonti 760; lost, except for quotation by Nottebohm in his article on the Boldrini sketchbook, since vanished
Bia. 708 Op. 106, Grove 106 Midi File   Piano Sonata No. 29 in B flat major: "Hammerklavier-Sonate" 1816 - 1818 dedicated to Archduke Rudolph of Austria; "Here is something that will give pianists some hard work when it is played fifty years from now!" - LvB
Bia. 709 WoO 205 #5, Hess 290     Musical greetings for Solo Voice(s) in D major: "Erfüllung, Erfüllung" (WoO 205e), #5 of 10 musical greetings 1819 written for Archduke Rudolph of Austria; Letter 948
Bia. 710 WoO 17 #1, Hess 20, Grove 195 Midi File...   Waltz for Instrument(s) in E flat major: #1 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #2, Hess 20, Grove 195 Midi File...   Minuet for Instrument(s) in B flat major: #2 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #3, Hess 20, Grove 195 Midi File...   Waltz for Instrument(s) in B flat major: #3 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #4, Hess 20, Grove 195 Midi File...   Minuet for Instrument(s) in E flat major: #4 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #5, Hess 20, Grove 195 Midi File...   Minuet for Instrument(s) in E flat major: #5 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #6, Hess 20, Grove 195 Midi File...   Ländler for Instrument(s) in E flat major: #6 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #7, Hess 20, Grove 195 Midi File...   Minuet for Instrument(s) in B flat major: #7 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #8, Hess 20, Grove 195 Midi File...   Ländler for Instrument(s) in B flat major: #8 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #9, Hess 20, Grove 195 Midi File...   Minuet for Instrument(s) in G major: #9 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #10, Hess 20, Grove 195 Midi File...   Waltz for Instrument(s) in D major: #10 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 710 WoO 17 #11, Hess 20, Grove 195 Midi File...   Waltz for Instrument(s) in D major: #11 of 11 Mödlinger Tänze for 7 String & Wind Instruments; authorship: probably spurious 1819
Bia. 711 WoO 173, Hess 253     2-part Riddle Canon in B flat major: "Hol’ euch der Teufel! B’hüt euch Gott!" 1819 written for Sigmund Anton Steiner
Bia. 712 WoO 174, Grove 201     4-part Canon in B flat major: "Glaube und hoffe" 1819 written for Moritz Schlesinger
Bia. 713       Fragment for Solo Voice(s); authorship: unfinished 1819 written for Countess Anna Marie Erdödy
Bia. 714 Hess 107 Midi file!   Grenadier March for Musical Clock in F major: "Grenadiermarsch" 1798 WoO 29 for musical clock; consists of a 20-bar march by Haydn, an original transition, and an arrangement of the March WoO 29
Bia. 715 WoO 175, Hess 255     4-part Riddle Canon: "Sankt Petrus war ein Fels/ Bernardus war ein Sankt" 1820 written for Carl Peters & Carl Bernard
Bia. 716 WoO 176, Grove 210     3-part Canon in F major: "Glück zum neuen Jahr!" (2nd setting) 1819 written for Countess Anna Marie Erdödy; other setting is WoO 165
Bia. 717 WoO 179, Grove 211     Intro & 4-part Canon in C major: "Seiner Kaiserlichen Hoheit...alles Gute, alles Schöne" 1819 written for Archduke Rudolph of Austria
Bia. 718 Hess 300     Sketch for Instrument(s): sketch for a Canon "Liebe mich, werter Weissenbach"; authorship: reconstruction 1819 - 1820 written for Alyos Weissenbach
Bia. 719 Hess 301     Sketch for Instrument(s): sketch for a Canon "Wähner, es ist kein Wahn"; authorship: unfinished 1819 - 1820
Bia. 720       Sketch for Piano in G major: perhaps for piano; authorship: unfinished 1820
Bia. 721 Hess 256     Joke in A major: "Sankt Petrus ist ein Fels" 1820 fragment - refers to WoO 175
Bia. 722 WoO 150, Grove 253     Song in E major: "Abendlied unter’m gestirnten Himmel" (Evening Song beneath the Starry Sky); "Wenn die Sonne nieder sinket" 1820 words: Heinrich Goeble; could be considered last complete song written
Bia. 723       Sketch for Unknown: sketch for a Canon without words; authorship: unfinished 1820
Bia. 724 WoO 180, Grove 212     2-part Canon in C major: "Auf einen, welcher Hoffmann geheißen"; "Hoffmann, sei ja kein Hofmann" 1820
Bia. 725 Hess 133 Midi file!   Song: "Das liebe Kätzchen" (Austrian); "Unsa Kaz had Kazln g’habt" 1820
Bia. 725 Hess 134 Midi file!   Song: "Der Knabe auf dem Berge" (Austrian); "Duart ob’n af’m Beargerl gu gu" 1820
Bia. 726   Midi File... Mp3 Melody for Unknown; authorship: unfinished 1820
Bia. 727       Fragment for Unknown: "Es sind nur Steine", fragment, perhaps for a Canon; authorship: unfinished 1820
Bia. 728 Hess 335   2 Exercises for Instrument(s): on the Song "Gedenke Mein"   written for Archduke Rudolph of Austria; a homework assignment for the Archduke Rudolf; also see WoO 200
Bia. 729 Op. 109, Grove 109 Midi File   Piano Sonata No. 30 in E major 1820 dedicated to Maximiliane Brentano
Bia. 730 Hess 65     Piece for Piano in C major: Little Concert Finale 1820 - 1821 from the 3rd Piano Concerto Opus 37, for piano solo
Bia. 731 Hess 150     Sketch for Solo Voice(s) & Instrument(s): sketch for a Song "Heidenröslein"; authorship: unfinished 1793 - 1796 words: Goethe; other sketches are Biamonti 707 and 760
Bia. 732       Sketch for Unknown: sketch for a piece in the manner of a Dance; authorship: unfinished 1820
Bia. 733 WoO 178, Grove 217 Midi File...   3-part Canon in B flat major: "Signor Abate" 1820 written for Abbé Maximilian Stadler
Bia. 734 WoO 177, Hess 257     Canon in E major: "Bester Magistrat, Ihr friert"; canon for 4 male voices & 2 double-basses 1820
Bia. 735 Hess 299     Sketch for Instrument(s) in A major: sketch for a Canon "Bester Magistrat" ; authorship: unfinished 1820 same "Magistrat" as WoO 177
Bia. 735       3-part Canon: "Bester Magistrat" 1826 the "Magistrat" is the same person as WoO 177
Bia. 736 WoO 61, Hess 62 Midi File...   Allegretto for Piano in B minor 1821 dedicated to Ferdinand Piringer
Bia. 737 WoO 182, Grove 213     3-part Canon in D minor: "O Tobias!" 1821 written for Tobias Haslinger
Bia. 738       Fragment for Unknown; authorship: unfinished 1822 fairly illegible fragments found in the Conversation Book of March 1822
Bia. 739 Op. 110, Grove 110 Midi File   Piano Sonata No. 31 in A flat major 1821 - 1822
Bia. 740 WoO 34, Hess 42     Duo for Violins in A major: for Alexandre Boucher 1822 dedicated to Alexandre Boucher
Bia. 741 Op. 111, Grove 111 Midi File   Piano Sonata No. 32 in C minor 1821 - 1822 dedicated to Archduke Rudolph of Austria; English edition dedicated to Antonie Brentano
Bia. 742 Op. 114, Hess 118, Grove 114     March for Orchestra & Chorus: for "Die Weihe des Hauses" 1822 1822 adaptation of no. 6 from "Die Ruinen von Athen"; see Opus 113; Hess 118 includes Opus 124, Opus 114, WoO 98, and parts of Opus 113
Bia. 742 Op. 124, Hess 118, Grove 124 Midi File   Overture in C major: "Die Weihe des Hauses" (The Consecration of the House) 1822 dedicated to Prince Nikolas Borissovich Galitzin; Hess 118 includes Opus 124, Opus 114, WoO 98, and parts of Opus 113
Bia. 742 WoO 98, Hess 118     Chorus for Orchestra, Chorus & Solo Voice(s): "Wo sich die Pulse jugendlich jagen" chorus with soprano solo for the festive play "Die Weihe des Hauses" 1822 Hess 118 includes Opus 124, Opus 114, WoO 98, and parts of Opus 113
Bia. 742 Hess 118     Music for a drama for Orchestra, Chorus & Solo Voice(s): for Meisl’s festival play "Die Weihe des Hauses" (The Consecration of the House) 1822 Hess 118 includes Opus 124, Opus 114, WoO 98, and parts of Opus 113
Bia. 743 Hess 296     Little Cadenza for Instrument(s) 1822 written for Léon de Saint-Lubin
Bia. 744 WoO 3, Grove 142     Minuet for Orchestra in E flat major: "Gratulations - Menuett" 1822 dedicated to Karl Holz; dedication by publisher, but written as a tribute to Karl Hensler as part of a serenade
Bia. 745 Op. 119 #1, Grove 119 Midi File   Bagatelle for Piano in G minor: Allegretto; #1 of 11 Bagatelles 1820 - 1822 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #2, Grove 119 Midi File   Bagatelle for Piano in C major: Andante con moto; #2 of 11 Bagatelles 1820 - 1822 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #3, Grove 119 Midi File   Bagatelle for Piano in D major: A l’Allemande; #3 of 11 Bagatelles 1820 - 1822 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #4, Grove 119 Midi File   Bagatelle for Piano in A major: Andante cantabile; #4 of 11 Bagatelles 1820 - 1822 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #5, Grove 119 Midi File   Bagatelle for Piano in C minor: Risoluto; #5 of 11 Bagatelles 1820 - 1822 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #6, Grove 119 Midi File   Bagatelle for Piano in G major: Andante-Allegretto; #6 of 11 Bagatelles 1820 - 1822 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #7, Grove 119 Midi File   Bagatelle for Piano in C major: Allegro, ma non troppo; #7 of 11 Bagatelles
{Rezeichnung}		 1820 - 1821 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #8, Grove 119 Midi File   Bagatelle for Piano in C major: Moderato cantabile; #8 of 11 Bagatelles 1820 - 1821 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #9, Grove 119 Midi File   Bagatelle for Piano in A major: Vivace moderato; #9 of 11 Bagatelles 1820 - 1821 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #10, Grove 119 Midi File   Bagatelle for Piano in A major: Allegramente; #10 of 11 Bagatelles 1820 - 1821 some pieces were started as early as c. 1794
Bia. 745 Op. 119 #11, Grove 119 Midi File   Bagatelle for Piano in B flat major: Andante, ma non troppo; #11 of 11 Bagatelles 1820 - 1821 some pieces were started as early as c. 1794
Bia. 746   Midi File...   Sketch 1822 unused sketches for the Ninth Symphony Opus 125; also see Biamonti 686 & 779
Bia. 747       Fragment for Unknown; authorship: unfinished 1822
Bia. 748 Op. 128, Grove 128 Midi File   Arietta: "Der Kuß" (The Kiss); "Ich var bei Chloen ganz allein" 1798 - 1822 words: C F Weiße
Bia. 749 WoO 181 #1     4-part Canon in C major: "Gedenket heute an Baden" 1820
Bia. 750 WoO 181 #2, Hess 258     4-part Canon in C major: "Gehabt euch wohl" 1820
Bia. 751 WoO 181 #3, Hess 259     3-part Canon in C major: "Tugend ist kein leerer Name" 1820
Bia. 752       Sketch for Unknown: "Thut auf", sketch for a Canon; authorship: unfinished 1819 - 1822
Bia. 753       Fragment for Unknown in B flat major 1819 - 1822 fragment of a Scottish folksong
Bia. 754       Sketch for Unknown in C sharp minor; authorship: unfinished 1819 - 1822 perhaps for Piano Sonata #30, Opus 109
Bia. 755       Sketch for Unknown; authorship: unfinished 1819 - 1822 sketches for Fugues, one of them probably "for harpsichord or organ"
Bia. 756       Sketch for Piano: sketch for a movement of a Sonata; authorship: unfinished 1819 - 1822
Bia. 757       Sketch for Piano: "second Sonata" allegro con brio; authorship: unfinished 1819 - 1822
Bia. 758   Midi File...   Sketch for Piano: "second Sonata" adagio; authorship: unfinished 1819 - 1822
Bia. 759       Sketch for Solo Voice(s) & Instrument(s): beginning of a Recitative with string accompaniment; authorship: unfinished 1818 - 1822 perhaps for the third Mass in C sharp minor; also see Biamonti 795
Bia. 760       Sketch for Solo Voice(s) & Instrument(s): sketch for a Song "Heidenroslein"; authorship: unfinished 1818 - 1822 words: Goethe; other sketches are Hess 150 and Biamonti 707
Bia. 761       Sketch: for an Overture; authorship: unfinished 1818 - 1822
Bia. 762       Sketch for Unknown: sketch for a Song "Fluchtigkeit der Zeit" (Transience of Time); authorship: unfinished 1818 - 1822 words: Gleim
Bia. 763       Sketch for Unknown: sketch in metrical notation "Paon und Anapest"; authorship: unfinished 1818 - 1822 refers to the musical rhythms of Greek and Latin poetry
Bia. 764       Sketch for Unknown: "Edel Hulfreich sey der Mensch", sketch for a Canon; authorship: unfinished 1818 - 1822
Bia. 765 WoO 205 #6, Hess 291     Musical greetings for Solo Voice(s) in F major: "Scheut euch nicht" (WoO 205f), #6 of 10 musical greetings 1822 written for George Friedrich Treitschke; Letter 1068
Bia. 766 Op. 121 #2, Grove 121     Choral Part-Song for Orchestra, Chorus & Solo Voice(s): "Opferlied" (Sacrificial Song) "Die Flamme lodert", Opus 121b; 2 versions: 1822 (Biamonti 766) & 1824 (Biamonti 790), with different scorings 1822 - 1824 poem by Friedrich von Matthison; 5 arrangements over 30 yrs; also see WoO 126, Hess 91 & Hess 145
Bia. 767 Op. 122, Grove 122     Song: "Bundeslied" (Song of Fellowship) for 2 solo voices, chorus & wind instruments 1822 - 1824 words: Goethe; Hess 92 is a piano accompaniment version; Hess Anhang 58 is a version for 2 voices & chorus a capella (Beethoven’s authorship not certain)
Bia. 768 WoO 151, Hess 132 Midi File...   Song in G major: "Der edle Mensch sei hülfreich und gut" 1823 written for Baroness Cäcilie von Eskeles; words: Goethe
Bia. 769 WoO 183, Hess 261     4-part Canon in F major: "Bester Herr Graf, Sie sind ein Schaf" 1823 written for Count Moritz Lichnowsky
Bia. 770   Midi File...   Sketch for Unknown: for a Canon or a Song "Alle Landen loben ihren Gott"; authorship: unfinished 1823
Bia. 771       Sketch for Unknown in C sharp minor: for a third Mass; authorship: unfinished 1823
Bia. 772 WoO 106, Grove 199 Midi File...   Cantata: "Lobkowitz-Kantate" for soprano, chorus & piano 1823 written for Prince Ferdinand Lobkowitz; words: Beethoven?; written for Prince Lobkowitz’ birthday
Bia. 773 WoO 184, Hess 262, Grove 203     5-part Canon in G major: "Falstafferel, lass dich sehen!" 1823 written for Ignaz Schuppanzigh
Bia. 774 Op. 120, Grove 120 Midi File   33 Variations for Piano in C major: on a Waltz by Diabelli 1819 - 1823 dedicated to Antonie Brentano
Bia. 775 WoO 185, Grove 214     6-part Canon: "Edel sei der Mensch, hülfreich und gut" 1823 written for Louis Schlösser; words: Goethe; two versions, in E major & E flat majpr
Bia. 776 Op. 123, Grove 123     Mass in D major: "Missa Solemnis" 1819 - 1823 dedicated to Archduke Rudolph of Austria
Bia. 777 Hess 303     Sketch for Instrument(s): sketch for a Canon "Großen Dank für solche Gnade" (Many thanks, many thanks, for such great mercy); authorship: unfinished 1823 found among the sketches for the Adagio from the Ninth Symphony
Bia. 778 WoO 202, Hess 283     Riddle Canon in F major: "Das Schöne zum Guten!", musical motto (1st version) 1823 written for Marie Pachler-Koschak; other version is WoO 203
Bia. 779   Midi File...   Sketch 1823 unused sketches for the Ninth Symphony Opus 125; also see Biamonti 686 & 746
Bia. 780 WoO 18, Hess 7, Grove 145     March & Trio for Wind Band in F major: "Marsch für die bohmische Landwehr"; "Zapfenstreich No. 1" 1809 - 1810 dedicated to Archduke Anton; written for a ‘carrousel’; contains Turkish elements in the orchestration; version with the Trio in B flat Beethoven added c. 1822; WoO 18 also includes Hess 6 & 99, Hess Anhang 2 and Biamonti 519 #1
Bia. 781 WoO 19, Hess 9, Grove 145     March & Trio for Wind Band in F major 1810 dedicated to Archduke Anton; written for a ‘carrousel’; contains Turkish elements in the orchestration; Hess 8 is version without Trio; Biamonti 519 #2 (the GA version) has no Trio, no Turkish elements; Beethoven added the trio in F minor c. 1822; WoO 19 includes both Hess 8 & 9 & Biamonti 519 #2
Bia. 782 Hess 114     Recitative for Solo Voice(s) & Orchestra 1814 for Don Fernando in the 2nd Finale for "Fidelio", Dresden version
Bia. 783       Sketch for Piano; authorship: unfinished 1823 sketches for Preludes to the Bagatelles Opus 126 #3, 4, & 6
Bia. 784 Hess 57 Midi file!   Sketch for Piano in C major; authorship: unfinished 1824 for a piano piece
Bia. 785 Hess 260     Canon: "Fettlümerl und Bankert haben triumphirt" (Fat-lout and bastard have triumphed) 1823
Bia. 786 Hess 263     2-part Canon in E flat major: "Te solo adoro" 1824 written for Carlos Evasio Soliva; words: Pietro Metastasio; on same text as WoO 186 and Hess 264
Bia. 786 Hess 264     2-part Canon: "Te solo adoro" 1824 written for Carlos Evasio Soliva; words: Pietro Metastasio; on same text as WoO 186 and Hess 263
Bia. 787 Op. 125, Grove 125 Midi File   Symphony No. 9 in D minor: "Choral" 1817 - 1824 dedicated to King Friedrich Wilhelm III of Prussia
Bia. 788 Op. 126 #1, Grove 126 Midi File   Bagatelle for Piano in G major: Andante con moto; #1 of 6 Bagatelles 1824
Bia. 788 Op. 126 #2, Grove 126 Midi File   Bagatelle for Piano in G minor: Allegro; #2 of 6 Bagatelles 1824
Bia. 788 Op. 126 #3, Grove 126 Midi File   Bagatelle for Piano in E flat major: Andante; #3 of 6 Bagatelles 1824
Bia. 788 Op. 126 #4, Grove 126 Midi File   Bagatelle for Piano in B minor: Presto; #4 of 6 Bagatelles 1824
Bia. 788 Op. 126 #5, Grove 126 Midi File   Bagatelle for Piano in G major: Quasi allegretto; #5 of 6 Bagatelles 1824
Bia. 788 Op. 126 #6, Grove 126 Midi File   Bagatelle for Piano in E flat major: Presto-andante; #6 of 6 Bagatelles 1824
Bia. 789 WoO 186     2-part Canon in E flat major: "Te solo adoro" 1824 written for Carlos Evasio Soliva; words: Pietro Metastasio; on same text as Hess 263 & Hess 264
Bia. 790 Op. 121 #2, Grove 121     Choral Part-Song for Orchestra, Chorus & Solo Voice(s): "Opferlied" (Sacrificial Song) "Die Flamme lodert", Opus 121b; 2 versions: 1822 (Biamonti 766) & 1824 (Biamonti 790), with different scorings 1822 - 1824 poem by Friedrich von Matthison; 5 arrangements over 30 yrs; also see WoO 126, Hess 91 & Hess 145
Bia. 791 WoO 205 #7, Hess 292     Musical greetings for Solo Voice(s) in E major: "Tobias! Paternostergäßler. Tobias! Paternostergäßlerischer, Bierhäuslerischer musikalischer Philister!" (WoO 205g), #7 of 10 musical greetings 1824 written for Tobias Haslinger; Letter 1312
Bia. 792 WoO 187, Grove 215     4-part Canon in F major: "Auf einen, welcher Schwenke geheißen"; "Schwenke dich ohne Schwänke" 1824 written for Carl Schwencke
Bia. 793 WoO 84 Midi File...   Waltz for Piano in E flat major 1824 dedicated to Friedrich Demmer; dedicated by publisher
Bia. 794 Hess 285     Joke in E flat major: "Tobias" 1825 written for Tobias Haslinger; found among the sketches for the String Quartet Opus 127
Bia. 795       Sketch for Solo Voice(s) & Instrument(s) 1818 - 1822 other sketches for the third Mass; also see Biamonti 759
Bia. 796       Sketch for String Quartet: "La gaitée"; authorship: unfinished 1824 completed sketch
Bia. 797       Adagio for String Quartet in E major 1824 introduction for String Quartet #12 Opus 127
Bia. 798       Sketch for Piano Four Hands; authorship: unfinished 1824 sketch for a Sonata
Bia. 799       Fragment for Unknown: in 5/4; authorship: unfinished 1824
Bia. 800       2 Sketches for Chorus; authorship: unfinished 1824 choral sketches
Bia. 801       3 Sketches for String Quartet; authorship: unfinished 1824 sketches for String Quartet #15 Opus 132
Bia. 802 WoO 188, Hess 265     2-part Riddle Canon in B flat major: "Gott ist eine feste Burg" 1825 written for Oberst von Duterlohe
Bia. 803 Op. 127, Grove 127 Midi File   String Quartet No. 12 in E flat major 1822 - 1825 dedicated to Prince Nikolas Borissovich Galitzin
Bia. 804 WoO 203, Hess 272     Riddle Canon in A major: "Das Schöne zu dem Guten!", musical motto (2nd version) 1825 written for Ludwig Rellstab; Letter 1366b; other version is WoO 202
Bia. 805 WoO 189, Hess 266     4-part Canon in C major: "Doktor, sperrt das Tor dem Tod" 1825 written for Anton Braunhofer
Bia. 806 WoO 205 #8, Hess 293     Musical greetings for Solo Voice(s) in D major: "Tobias Tobias" (WoO 205h), #8 of 10 musical greetings 1825 written for Tobias Haslinger; Letter 1365
Bia. 807 WoO 190, Hess 267     2-part Canon in C major: "Ich war hier, Doktor, ich war hier" 1825 written for Anton Braunhofer
Bia. 808 Op. 132, Grove 132 Midi File   String Quartet No. 15 in A minor 1823 - 1825 dedicated to Prince Nikolas Borissovich Galitzin
Bia. 809 WoO 35, Hess 273, Grove 222     Canon in A major: for 2 violins or for 2 cellos; for Samson de Boer 1825 written for Samson de Boer; not for Otto de Boer as some sources claim
Bia. 810       Sketch for Unknown; authorship: unfinished 1825 sketches for the Oratorio "La Vittoria della Croce"
Bia. 811   Midi file   3-part Canon in C minor 1825
Bia. 812       Sketch for String Quartet; authorship: unfinished 1825 sketches for the Andante of String Quartet #15 Opus 132
Bia. 813       Sketch for String Quartet; authorship: unfinished 1825 sketch for the first movement of String Quartet #13 Opus 130
Bia. 814       Sketch for String Quartet; authorship: unfinished 1825 sketch for the second movement of String Quartet #13 Opus 130
Bia. 815       Sketch for String Quartet in E flat major; authorship: unfinished 1825 sketch for an Adagio, perhaps for the third movement of String Quartet #13 Opus 130
Bia. 816       Sketch for Unknown in G minor; authorship: unfinished 1825 sketch for a movement of a Barcarole
Bia. 817       Sketch for String Quartet in E flat major; authorship: unfinished 1825 sketch for the Andante of String Quartet #13 Opus 130
Bia. 818       Sketch for String Quartet 1825 other sketches for the Andante for String Quartet #13 Opus 130
Bia. 819       Sketch for String Quartet in F sharp major: final sketch for an Adagio; authorship: unfinished 1825 intended in place of the Cavatina of String Quartet #13 Opus 130
Bia. 820       Sketch for String Quartet; authorship: unfinished 1825 other sketches, perhaps for the last or penultimate movement of String Quartet #13 Opus 130
Bia. 821       Sketch for String Quartet in F sharp major; authorship: unfinished 1825 other sketches for the Finale of String Quartet #13 Opus 130
Bia. 822       Exercise for Unknown 1825 exercises in modulation
Bia. 823 WoO 191, Grove 216     3-part Canon in B flat major: "Kühl, nicht lau" 1825 written for Friedrich Kuhlau; on the name "Bach"
Bia. 824 WoO 192, Hess 268     4-part Riddle Canon in F major: "Ars longa, vita brevis" (second version) 1825 written for Sir George Smart; words: Seneca; other versions are WoO 170 & WoO 193
Bia. 825 WoO 61 #1, Hess 56     Bagatelle for Piano in G minor: called WoO 61a 1825 dedicated to Sarah Burney Page; originally thought to have been written for a Lady Clifford
Bia. 826 WoO 204, Hess 284     Joke in D minor: "Holz, Holz, geigt die Quartette so, als ob sie Kraut eintreten" (Holz, Holz, you play the quartets as if you were chopping cabbage) 1825 in Conversation Book of September 1825
Bia. 827 WoO 194, Grove 221     Riddle Canon in F major: "Si non per portas, per muros" 1825 written for Moritz Schlesinger
Bia. 828 WoO 85 Midi File...   Waltz for Piano in D major 1825 dedicated to Duchess Sophie of Austria; dedication by the publisher
Bia. 829 WoO 86 Midi File...   Ecossaise for Piano in E flat major 1825 dedicated to Duchess Sophie of Austria; dedication by the publisher
Bia. 830 Op. 130, Grove 130 Midi File   String Quartet No. 13 in B flat major: String Quartet without Große Fuge 1825 - 1826 dedicated to Prince Nikolas Borissovich Galitzin; The Alla danza tedesca was originally intended for Opus 132
Bia. 830 Op. 130, Grove 130     String Quartet No. 13 in B flat major: String Quartet with Große Fuge 1825 - 1826 dedicated to Prince Nikolas Borissovich Galitzin
Bia. 830 Op. 133, Grove 133 Midi File   Fugue for String Quartet in B flat major: "Große Fuge" (Great Fugue) 1825 - 1826 dedicated to Archduke Rudolph of Austria; Sonata-fugue separated from Op 130
Bia. 831 WoO 195     2-part Canon in A minor: "Freu dich des Lebens" 1825 written for Theodor Molt
Bia. 832       Sketch; authorship: unfinished 1822 - 1825 sketches for an Overture on the name of Bach
Bia. 833 WoO 193, Hess 269     Riddle Canon in C major: "Ars longa, vita brevis" (third version) 1825 words: Seneca; other versions are WoO 170 & WoO 192
Bia. 834 WoO 196, Hess 270     4-part Riddle Canon in F major: "Es muß sein!" 1826 written for Ignaz Dembscher
Bia. 835       Sketch for String Quartet 1825 original theme for the Finale of String Quartet #14 Opus 131
Bia. 836 Hess 302     Sketch for Instrument(s): sketch for a Canon "Uns geht es kannibalisch wohl als wie fünfhundert Säuen"; authorship: unfinished 1825 sketch is found amongst the work on the Grosse Fuge, Opus 133
Bia. 837   Midi   Sketch for Unknown; authorship: unfinished 1825 - 1826 sketch for a "Veni Creator Spiritus"
Bia. 838   Midi File   Symphony No. 10 in E flat major: part only; authorship: unfinished at death 1825
Bia. 839   Midi   March for Instrument(s): a Duport 1825
Bia. 840 Op. 131, Grove 131 Midi File   String Quartet No. 14 in C sharp minor 1825 - 1826 dedicated to Baron Joseph von Stutterheim; "stolen & gathered together from various things here & there" - LvB
Bia. 841 Op. 134, Hess 86, Grove 134 .Midi File   Fugue for Piano Four Hands: Große Fuge for Piano Four Hands 1826 dedicated to Archduke Rudolph of Austria; after the String Quartet fugue Opus 133
Bia. 842 WoO 197, Hess 271     5-part Canon in C major: "Das ist das Werk, sorgt um das Geld!" 1826 written for Karl Holz
Bia. 843 WoO 205 #9, Hess 294     Musical greetings for Solo Voice(s) in C major: "Bester To----(bias)" (WoO 205i), #9 of 10 musical greetings 1826 written for Tobias Haslinger; Letter 1534
Bia. 844 WoO 205 #10, Hess 295     Musical greetings for Solo Voice(s) in C major: "Erster aller Tobiasse" (WoO 205k), #10 of 10 musical greetings 1826 written for Tobias Haslinger; Letter 1536
Bia. 845 Op. 135, Grove 135 Midi File   String Quartet No. 16 in F major 1826 dedicated to Johann Nepomuk Wolfmayer; "muß es sein? es muß sein!"; the theme of the third movement was originally associated with the finale of Opus 131; composed w/o commission
Bia. 846 WoO 62, Hess 41, Grove 174 Midi File...   String Quintet in C major: "Letzter musikalischer Gedanke" (last musical thought); authorship: unfinished at death 1826 exists only in transcription for piano
Bia. 847 Op. 130, Grove 130     String Quartet No. 13 in B flat major 1825 - 1826 dedicated to Prince Nikolas Borissovich Galitzin; alternate finale for String Quartet #13, Opus 130
Bia. 848 WoO 198, Hess 280     2-part Riddle Canon in C major: "Wir irren allesamt" 1826 written for Karl Holz
Bia. 849   Midi File...   Draft for Piano: (last notes written by Beethoven); authorship: unfinished 1827 instrumental draft; piano conjectured
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